SDAM-086 - A female high school student traveling to Tokyo by overnight bus from the countryside for university entrance exams cannot voice her distress even when sexually assaulted. She endures with tears, pretending to sleep, suppressing her voice, and persevering with tearful eyes.

I actually preferred the natural high version. The early high school girl version had a really erotic vibe with its young, healthy, firm thighs and the dark atmosphere. While it was a good idea to dispel the chaotic setting of high school girls on a night bus with the title, the added sense of sadness didn't quite resonate with me personally.

I wouldn't recommend this to those who, like me, expect a lot of fictional elements, but I think those who prefer realism will enjoy it. It's good that there are various types of play, like girls who suppress their moans but clearly want it, and others who gradually give up resisting and start taking things into their own hands. The length of each scene is also good, which was a plus.

The Night Bus series has been getting predictable, but a situation where you're mentally unable to resist, like in this installment, is truly amazing. You want to resist, but you can't, and you have no choice but to accept a man's advances. This is the story I've been waiting for. The actress's realistic performance is also fantastic. I really hope for a sequel. I'd like to see a doggy-style position, but also a finish with a deep thrust in missionary position.

A director who left Natural High has delivered a staple title with a new production company. While the cast is reduced from four actresses to three, the drama is more fleshed out, and the camerawork is stable. You can see the production circumstances that couldn't have been captured in Natural's format. The setup of a high school girl taking a late-night bus in her uniform, heading to an exam, is much better than the previous vague atmosphere. She has to endure it because if she makes a fuss, she'll ruin her chances of taking the exam. I also appreciate the consistent direction of gradually building pressure from gentle ○han. It makes me wonder if the previous clumsy scenes of forcefully suppressing and le○ping were due to Natural's policy of saving time. The feeling of experiencing a lecherous old man's slow le○p for the first time in a helpless situation, and awakening to the pleasure of raw sex – the "I've never felt this before" sensation – is good, but the overall quality depends on the actresses' performances. There are a few minor issues, like the first actress's awkward eye contact and lukewarm reaction to the announcement of a deep thrust. It's not without flaws, but overall, the quality is high. It feels like a stale series that was just prolonging its life with template copy-pasting and half-hearted arrangements has been revitalized with dramatic depth after the director became independent. I think the director's independence was a success, at least for this series, and I'd like to see a version without the high school girl if possible. The score is a bit of a bonus, but it's heavily weighted towards welcoming the direction of change – five stars.

*The content is almost the same as the same director's Natchuhai work, but this time it has the added setting of ``being forced to accept molestation in order to take an entrance exam.'' It's an unreasonable setting, but it's a fantasy work, so I'll ignore that. To be honest, I'm not sure if this setting is utilized as well compared to the director's previous films. There are a lot of dark images overall (the footage at the end is quite dark), and the style is like a return to the roots of night bus molester, with the daughter desperately suppressing her moans. Personally, I give it a positive rating because it makes me feel more excited that my daughter is being attacked and sexually assaulted in the dark, but I'm sure people will have different tastes. Check out the sample video to see if it works. Kozue Fujita A girl with erotic white breasts, pale pink areolas and bright pink nipples. This is the part where the setting of this work is most utilized. The ``crying'' footage of a girl being attacked by a man and unable to resist, shedding tears with an expression of resignation, is excellent. I can't stand the scene where the girl is licked and sucked on her delicious breasts, sobbing with tears of despair, and at the same time is finger fucked, and the female's reaction is to gradually tighten her hips, and then she turns her body upside down and climaxes. Also, when Buck was raped with a slow piston while exposing his tear-stained face, erotic breasts, and big ass, and finally came to cum, the male's sadistic feelings were stimulated and he got extremely excited. The girl, who can only shed tears and continues to be fucked without resistance, begins to react as if her hips are twitching when the inside of her body is penetrated with a meat spear, and then she shows off her erotic female lewdness as if begging for ejaculation.The missionary position is also the best! Yuka Ichii He refuses to kiss me twice, so the tongue he asks for after falling for a female is erotic. Mei Satsuki This is the part where the actress's charm shines through. Her smooth white thighs are a must-see. It's also good to move your hips as if asking for sex while your breasts are being played! During fingering, she moves her hips on her own, and the expression on her face as she endures the pleasure, her swollen areola and erect nipples is quite erotic. During sex, don't miss the backward cowgirl position where she desperately suppresses her voice, but exposes her erotic female face, delicious F cup breasts, and sexy lower abdomen that moves with the female's instincts at full throttle, causing her to cum deeply. Here, her orgasmic face and convulsions when she climaxes are extremely erotic! I can't stand the blank expression and violently turbulent breathing right after the orgasm! In the face-to-face cowgirl position, there is erotic tongue chewing and breast torture, and the uniformed girl's lewd behavior makes her cum over and over again.