SDMF-034 - During a summer in the countryside, the inexperienced me took my older cousin's joke seriously and repeatedly engaged in intercourse. Peach Family VOL.36, Tohno Miho

I loved how they hesitated, seemed to resist, but ultimately gave in and did it properly. This work doesn't have any bed scenes, only sex outdoors or in hidden places, which creates a thrilling tension of being discovered at any moment. Completely outdoors, they have cleaning oral sex on the truck bed after ejaculating, then continue with another insertion. The outdoor oral sex has a scene of people passing by in the distance, making it incredibly immersive. Indoors, it starts with someone nearby, and they move around the room. In the final barn, they gaze into each other's eyes and have intense sex. Every scene is substantial, not just filler, and the filming techniques convey a sense of realism, making it a work overflowing with highlights.

*About virginity. In other works as well, there are many things that feel unnatural because you don't think she is a virgin, and the same can be said for this work. However, coupled with the fact that Takeshi is not attending school, he is able to let his imagination run wild. I never had a girlfriend, but I had sex with multiple classmates, some of whom were girlfriends of my friends. They lost trust, were despised, and became ignored. Takeshi, who felt that he no longer had a place to belong, stopped attending school. Virginity from Miho? As for , you can take it as an answer somehow. Miho at the beginning looks like an old woman. In the scene where the attempt ends in failure, we see Takeshi's erection not twice but three times. Like that? , it feels good. After the first shot of the first entanglement, it's already good, right? Miho says. Normally, I would have left right away, but by confirming it, I feel like I'm saying that if I can do it, it's still okay. He was forced to give me a blowjob, and seeing that he was still erect, I felt slightly surprised. Even after the second shot ends, it ends with the feeling that Takeshi wants. After giving a blow job, she looks like a beautiful older sister. The second time was also 2 shots, and I took my time. There are many angles, so you can see the whole picture of Miho having sex. There are some screaming voices in the pant voice, but the feeling of restraint is also realistic and good. After 10 minutes of fucking, Miho says she can't do it anymore and tries to run away, but he inserts her from behind. There are also positions using a chair. I met my husband outside the pub. She had promised to dress him in a yukata, but Miho might have been worried that he might think it was weird to see her all dressed up. When I tell him that I am going home, Takeshi asks me for it. I slapped her unconsciously. Miho looks like she might say sorry, but she can't say anything. Why? . Takeshi leaves feeling jealous. Miho felt her husband still have feelings for her as she touched her right hand after she had slapped him. The next day at the table Miho worries about Takeshi. The feeling of not being able to leave him alone as a relative, and the fact that they had a physical relationship, made him feel pink. Takeshi kidnaps Miho as she heads to the car where her husband is waiting. "It's the last time," I press my lips together. Takeshi switches positions and presses Miho against the wall while sucking her lips. The final entanglement is the beautiful Miho. It doesn't look like a sunburn, so my skin is beautiful. I have enough time. What was Miho really trying to say at the ending? . These words may seem to be praising his potential as a man, but Miho is truly beautiful as he laughs softly and soaks in the afterglow as the wind blows around him. Exactly pink. The back view of the two naked people is also pretty good. That's all.

Whether she's a seductive housewife or a bold beauty tempting a younger man, Miho-san's charm remains unchanged. The setup where she thinks she's in control but ends up being overwhelmed and moaning in all sorts of positions is fantastic. I can't take my eyes off her.

*The process of changing from a virgin to a technician. I can't stand Miho's change from a bullish attitude to a passive attitude.

The previous installment with Furukawa Iori had a short runtime and was too predictable, but this time, perhaps due to the change in director, it doesn't feel that way. Instead, it has a psychopathic vibe of a cousin who doesn't consider the situation and just keeps assaulting his cousin, including the casting of the actors, similar to the '30s NEET' series. Kalami's focus on blue film is noticeable, but it lacks the thrilling sense of exposure or the feeling of transgression, and it's frankly a sloppy work that just goes through the motions for this series. You can see the lack of detail, like how the married women other than Tomono Miho aren't wearing wedding rings. It's starting to feel like a mere atmosphere-driven piece relying on the actors. The relationship between the separated sister-in-law and her husband isn't explored, and they return without any lingering feelings. The script, a shallow summer memory story, isn't something you'd want to see in this series. There's been no progress since the Furukawa Iori installment. Easy Matsumoto's recent works haven't always been good, so I don't think the staff change was a failure. But it's common to see customers leave a store that starts cutting corners, so they should get their act together before it's too late.