SDMS-481 - The Unattainable Office Beauty Finally Breaks: A Ruthless Seduction

I bought it just because I like the actress, and it was pretty good. Her voice and mannerisms are great.

*Anyway, it's a soft, pure route, and the sex at the end is also quite soft. It's not that I don't like her being soft, but she's an actress who's allowed to be soft. There are some actresses who are not allowed, and in the end it comes down to their looks and the way they speak. It depends on. It might even be a gesture. You can tell if it's successful or not just by looking at it, but if you don't know That too is life.

The fact that this has become a four-part series and shows no signs of waning popularity proves just how out of touch the critics who trashed it here back then were with the fans. They made such a fuss about her 'actually being an actress' as if they’d discovered some grand secret, but clearly, nobody cared. Even though Yukina Momose didn't find massive success with her standalone works, the solid support she's garnered for this series alone proves that her appeal lies in her 'girl-next-door' office worker vibe, which feels nothing like a typical AV actress. Her earnest look and articulate, intelligent way of speaking—which have remained consistent through all four entries—were already on full display here. While the production is standard, I think it's a must-watch for fans who only recently discovered her charm. I'm being generous with the score out of respect for an actress who managed to turn this into a long-running series.

This is the second installment of the series where staff forcibly seduce a beautiful employee who has stubbornly refused to appear in AVs—this time, the 'Production Department's Nami Koyama' edition. It stars popular AV actress Yukina Momose, who is already active in 'U○Video.' After successfully debuting F-cup general affairs employee 'Mayu Hojo' in the previous installment, the staff, for some inexplicable reason, decided they 'didn't want to break the momentum' and immediately scouted their 'next prey.' They set their sights on 'Koyama from the production department,' who was highly popular in an internal company survey. From there, it’s just an endless 'farce' disguised as a documentary about the 'SOD Madonna employee.' Furthermore, by clumsily weaving in a 'romance drama' between employees, the actual sex scenes are treated as nothing more than an afterthought.

Having watched this without reading any of the other reviews, I didn't think the content was bad at all.