SDNM-159 - Married women are the best. Yamaguchi Nao (38) gets drunk and horny

I've bought every release since her debut, but this one is exceptionally lewd.

I think she's quite a beauty. Perfect nose bridge and pretty eyes. She's a bit older, but that's great if you're into mature women. As for the content, there's a facial, but it was a bit underwhelming—I was hoping for something more intense that would cover her eyes. The actual sex scenes are on the softer side, which left me wanting more. However, there was a scene where she says 'my cock is rock hard,' which I liked.

The alcohol made her even bolder and more sensual. It's a great series.

*Naho, a tipsy married woman, has sex with handsome Isedon. They had sex once and seemed to have good chemistry. She seems to have been nominated by Naho and is smiling from the beginning of the video. Mr. Isedon also grinned and kissed Naho, as his partner was his favorite. Sex between a loving handsome man and a married woman was private. I didn't cum inside her but cum on her face, but after the cleaning fellatio, she swallowed the semen of someone other than her husband and said it was delicious. This is Naho, a completely married woman. Up until now, she has only been an actor, so I would definitely like to see Naho having sex with her fans and virgin partners next time.

Netflix's stock price dipped temporarily due to analyst criticism that it was too high, but it's ultimately rising. The reason is likely the increase in paid subscribers. In the financial documents of Netflix reported by the Financial Times, there is a company introduction section. (omitted) From an investor's perspective, it's very clear. You can see the differences from other companies, and it serves as an investment metric. When creating differentiation, it's necessary to value the actresses, directors, and actors. The more calmly you evaluate Naho Yamaguchi, the higher her value rises. She should be nurtured carefully, and avoiding extreme direction is essential. It shortens the actress's career. And the more I calmly watch and evaluate other works by director Akira Saijo, the more I feel he should be valued. Investment should be made generously in actresses and directors, and the same goes for the actors. I rate the actor in the first film and the short-haired actor in the third film very highly. The long-haired actor in the third film is not good. This is not a personal attack, but a business perspective. The era of technological innovation is also a time to nurture actors well. Next, regarding the corporate side: making it a profession to be proud of is the responsibility of both distribution and production. Scandals during the recruitment of actresses becoming social issues is hard to imagine for major companies like DMM or SOD, but there must be malicious production companies out there. To weed them out, cooperation between major companies is necessary. Netflix possesses the functions of both DMM, one of the largest domestic distributors, and SOD, one of the largest domestic producers. Domestic companies must refer to US giants while creating differences and differentiation as seen by Japanese users. In that process, what the DMM founder said in an interview is important, and the weight of a founder who does not stray from the path of morality will only grow. Finally, as I wrote in other reviews, I reiterate that AV is a medium where consumers bear all costs, and there is no need for production committees, allowing creators to make what they want while complying with the law.