SDNM-364 - 36-year-old married caddie mom of three, sneaking in affairs between chores and baseball practice

Nanami-san has this wholesome vibe and she climaxes constantly. Her expression when she does is just too cute—it's the best. She's my favorite actress.

This is the middle installment of Nanami Ichikawa's 'Real Married Woman' trilogy. It stays true to the setting of a diligent housewife who raises three energetic sons and works as a caddy, adding a solid narrative. It starts with the same director from the previous film waiting in a car near her home in Nakano. She's clearly nervous about being seen by neighbors. Without time to enjoy their reunion, they head straight to a local love hotel to squeeze in some action before her shift. The way she releases her pent-up desires under the pressure of a time limit, with such raw, unmasked expressions, is irresistible. In the first scene, a veteran actor waits in the room. Within an hour, they have their first unprotected sex in 10 years. The actor teases her while she's anxious, and the scene where he peels off her tight denim jeans is excellent. She's constantly begging for more, and the actor's cool response only heightens her excitement. The highlight is seeing if she can truly be satisfied in such a short window. The second scene is filmed a week later (though it's likely the same day). She uses the time while her sons are at baseball practice. The actor hides behind the door and surprises her with a hug. It starts roughly—kissing at the entrance, then foreplay, then penetration. It moves from standing to the sofa and then the floor, leading to a series of climaxes, ending with her from behind. There's an interval before the third scene. She goes home to start the rice cooker and do some grocery shopping before returning. The duality of her being a gentle, responsible mom while also being so sexual is captivating. Since it's another quick session before dinner, it's a full-throttle 3P, but it feels a bit sweeter as they take their time for the final act. Both ejaculations are deep inside via missionary. There's something oddly charming about the way they rush to get dressed and leave the room, constantly checking the time after each session. It makes you wonder: will her homemade beef curry that night be sweet, spicy, or salty? After handling a man, what does her cooking taste like? It's the kind of film that leaves you with those kinds of lingering thoughts.

Everyone knows it's all fake, so why bother with the pathetic effort to keep up the charade of a fake cream pie? It's a total turn-off the moment they advertise it as a cream pie. Please, just stop. A real facial cumshot is far more noble than a fake cream pie. Compete with the real thing. If you can't do a real cream pie in this day and age, then don't do it at all. Work honestly. I hope the producers understand this point. I'm begging you.

*This is the second edition of Nanami Ichikawa, and you might think she's going to be developed into a lewd woman, but she's already turned into a lewd married woman. Well, a lewd married woman who cries and moans. But it's only 2 stars.