SHKD-368 - My happiness is over? Emiru Momose

As other reviews have mentioned, the middle-aged man's persistent fetish-heavy approach in the middle of the story is definitely worth seeing—it's quite something. Aside from that, it’s just a gangbang scene with young guys surrounding her; it’s decent enough, but nothing particularly groundbreaking.

As mentioned in the previous review, the creepy middle-aged man's roleplay (or maybe it's just his real personality) is incredible. I bought this because it was an 'Emiru' rape-themed video, which had been losing its impact, and the fact that it featured a creepy guy made it a huge hit. This guy really brings out Emiru's charm. She didn't seem to mind much at first, but her reaction once they got to the bed was genuinely arousing. It’s not just the 'rape' resistance, but the fact that she’s genuinely disgusted by how gross he is—it’s irresistible. I wish the face-sitting scene in the bathroom had been longer. There’s another 'creepy' actor who uses his wig falling off as a gimmick, but he’s no good. I find it much more exciting to see a beautiful girl being violated by someone fat and greasy like the guy in this video. It’s been a while since I’ve watched an Emiru production; I hope she keeps up the good work, but I also hope this creepy actor continues to be active.

The first half of this film has several flaws. Emiru Momose looks unusually aged, and the character design for the family, which should be central to the story, feels off. While Momose's nudity in the initial assault scene isn't bad, the camera angles are terrible. Honestly, I almost branded it a failure halfway through and stopped writing this review because I felt like I was wasting my time. However, the impression completely changes from the middle onwards. The interaction with the fetishist old man who becomes Momose's client (the same actor from 'Girimosa Waisetsu Chikan Asami Yuma'—his eccentric performance is fantastic) adds a strangely compelling flavor. The subsequent family scenes might make you think it's boring again, but that's actually a feint that leads to a shocking finale. Despite several complaints and an undeniably rough-around-the-edges feel, it's interesting. It seems this is director Ryuko Hibuki's debut work. This director might just become a big name.