SHKD-600 - Escaped convict invades a housewife's home, forced secret cohabitation

Hmm, it was a typical Natsume-san ATA production. The level of excitement was just okay.

*This work was purchased on DVD. Although it was quite a while ago, this is a product that I wish I had purchased sooner. This series has the same general flow, but there are some differences depending on the actress. I like this version of Natsume the most. I remember thinking that the recording time was a little short, but I was satisfied with the content. The reason I gave it 5 stars is because I was more satisfied with it than I was dissatisfied with it. What I like about her is, of course, that she is younger than she is now, and it may be an exaggeration to say that she is overflowing with youth, but since she is Natsume's young wife, does this pattern apply to her? I have my own preferences in this area, so it may not be helpful. The other scene is the scene after the prison escapee leaves in front of Karami at the end, where the young wife is sitting alone in a chair in the living room at dusk, her head slightly down. Are you thinking about something? Or are you waiting for something? Then something comes along. There is a sound of banging on the frosted glass, the young wife looks up in shock, and although her reaction is small, she seems to be thinking, ``Oh shit!'', and ahead of her line of sight, a familiar silhouette stands up slowly and slowly approaches the glass door, the young wife slowly unlocks the glass door, and the prison escapee comes in. After staring at each other for a moment, they kiss each other with desire. It makes you think that the young wife did not fall in love with the prison escapee, but that she fell for the prison escapee's sex! And after the third karami, it seems that the prison escapee has left. I don't know what words were exchanged between him and the young wife at that time, no, I don't need to know. Then, at night, in bed with my husband, we talk about prison escapees. Young Wife's line: [It's okay to be a victim like that, I guess. ]The young wife must have thought she was a victim at first. But now... and the last scene is a scene of the prison escapee looking back, and the look on her face is very impressive, as if she's clicking her tongue and saying, ``She was a good woman, and what a shame she did.'' It's quite nice.

For the first rape scene, I wish they had kept a bit more clothing on and just made sure her breasts were visible even while being rough. She was basically fully naked, so the breasts were visible enough, though.

Ayaharu, just turned 30, is at the peak of her beauty. The opening shows her blissfully happy with her husband, but then a tragedy strikes when an escaped convict breaks in and rapes her. Setting that aside, the plot development where she not only hides a heinous criminal because of blackmail but also becomes completely dominated and 'broken' in body and soul feels incredibly forced. The contrast with the opening scene where she says 'I'm so happy, I love you' is just too jarring. If there were at least some underlying issues like a sexless marriage or her husband cheating, it might be believable... The way the man knocks her out, smells her, and explodes with beastly lust is realistic, but his heavy breathing is annoying, and above all, even if it's just a script, I feel angry thinking, 'How could you do this to my Ayaharu?' The massive member shown from a low angle is overwhelming, leaving me with nothing but feelings of inferiority and helplessness. It's a weapon filled with malice. Perhaps she was dominated to the core by this weapon, injected with his 'evil sap,' and had her mind taken over... Maybe she was branded with an indelible ecstasy from this rough mating, so different from the soft sex with her kind husband? As a fan, it makes me sad to wonder if a normal, happy married life with a regular man is even possible for someone like Ayaharu, who is so accustomed to such intense sex in her AV work. Regardless, considering the elements that define her work—the conflict between morality and pleasure, her beautiful body, bathing scenes, tongue technique, and the way her toned abs and back muscles move during sex—this production fails to effectively showcase her high potential. Three stars is the best I can give.

The scene where she rides on top while still wearing clothes is the best. It's shot beautifully, but it's too short. I desperately want that scene to be longer.