SHKD-901 - I tricked a female friend who was too good at it and had sex with her, and she found out that she had really big breasts www Riko Sato

It's less dark and gloomy than the premise suggests◎ 'Riko=Umi' is bright, has a great body, and is actually an amazing actress when it comes to facial expressions (ahegao)◎ That's why it's a bit disappointing when she doesn't seem into it... Plus, they hold back on the nudity and the 'O' face until the very end... It's a messy multi-person production, so you might want to pick and choose what you watch...

It doesn't have the rape vibe suggested on the cover. However, Riko-jo is fantastic. She just keeps going until she's exhausted. If you're interested in Riko-jo, I recommend buying it.

Many AV actresses get awkward in front of the camera, but this work is full of Riko Sato's bright and easygoing charm, just like when she was interviewed on broadcast TV. She has an approachable, girl-next-door vibe, but once she strips, she reveals a healthy, nice body. Many AV actresses are very thin, but she has a nice amount of flesh without looking chubby—it's a 'plump' style in the best way possible, and it's worth a watch. Also, while it's labeled as 'rape,' it's not grim or tragic; it feels more like she thought they were just friends and couldn't say no, so she just went along with it. If you were looking for a forced, violent rape scenario, you might be disappointed. If you view it as an interaction between Riko and some playful guys, it's quite entertaining. They do it all over the office, so it doesn't get monotonous (though the choppy editing makes it hard to get immersed). The first half features outfits and the second half is full nudity, catering to both needs, and the contrast makes her figure stand out even more. It's perfect for those who like to skip through scenes. Riko Sato usually does bright and fun stuff, so I actually would have liked to see one truly dark, gut-wrenching rape scene from her.

It's called 'rape,' but there's no tragic feel to it. I think she's the only one who can turn that playful, 'boys-being-boys' vibe into something incredibly erotic.

It's a classic Riko Sato production where the sudden shift into a suggestive atmosphere feels realistically enjoyable. The sense of immorality from falling into pleasure and getting pregnant by a colleague is great as always, but the monotonous thrusting scenes are too long.