
結婚を機に寿退社し家庭に入ったまさみだったが、この社会情勢のあおりを受け夫の収入が激減。将来に不安を感じた夫妻は、またしばらく共働きする事に。早速派遣会社に登録したまさみに目を付けた社長の杉浦は、派遣先を紹介すると嘘をつき、まさみを休日のオフィスに呼び出して…。












The beige pantyhose accentuate her beautiful body line in such a lewd way. The color is exquisite and really highlights that 'housewife' vibe. Naturally, the actress's beauty and acting were also excellent.
Personally, all the Misaki Kanna works I've seen so far featured her with long hair, so seeing her with short hair feels fresh. Of course, since she has a great face and body, her legs in pantyhose are stunning and very stimulating. She switches between beige and black pantyhose effectively, which is a treat for the eyes. While black feels sexier and more erotic, with legs as genuinely beautiful as Misaki Kanna's, the appeal comes through even in beige. As expected of this series, the scenes involving pantyhose are top-tier—definitely a must-watch.
I'd like to see a career woman version instead of the housewife trope. The ending would fit better in an office or hotel setting. Since it's a housewife theme, it's set at home, but if it has to be at home, I prefer the mourning dress trope! A bit of a missed opportunity!
I like her look and style, but the camera angles during the intimate scenes just didn't really do it for me.
Her big, bright eyes are her trademark. It feels like she does a lot of pantyhose-themed work, probably because of her nice ass and thick, toned thighs. She plays a housewife enduring sexual harassment at a temp agency, but I wish there was a bit more resistance in her acting. When the mosaic is this heavy, the close-ups of various positions feel pretty pointless.