
弟が死んで一年。親父の遺産を独り占めした弟の博史を俺は死んでも許す事が出来なかった。アイツが一番許せない事をしてやろうとずっと考えていた。だから俺は博史の嫁である美咲さんを犯してやった。ちょうど一周忌の法要を終えたばかりの最高のタイミングで。












The widow Ayaka is incredibly erotic. The intense 'widow' style sex is very stimulating. The scene on the study desk is particularly good. As for the final scene, I have to wonder... is it really okay to go that hard when she's pregnant?
Ayaka Muto has such a fragile, tragic beauty. Playing a young widow living in loneliness while trying to stay faithful to her late husband is the perfect role for her. The scene where she's violated by her brother-in-law while wearing a black mourning dress is the pinnacle of allure. It's been 10 years since her debut in her 30s, and at 44, she remains a beautiful, cute actress with a slender, delicate frame. Her submissive eyes, expressions, and desperate pleas while being violated trigger a primal, sadistic urge in us men. When the brother-in-law says, 'From today, this is my house, and you are my woman,' it's incredibly intense. Her body, starved for a year, slowly succumbs to the pleasure. From forced fellatio to the push-and-pull of his techniques, she loses not just her body but her mind to him. The raw, tragic reality of a woman falling for a man is unbearable. A week later, she's completely broken—she strips, performs oral, and rides him. It's a powerful scene that perfectly captures her descent. Two months later, pregnant, she reports it to her late husband's portrait. She then makes love to her brother-in-law right in front of it, as if to spite the dead. As he takes off her wedding ring, she tells the portrait, 'I'm sorry, I'm forgetting you now,' then turns to her brother-in-law, calls him 'darling,' and kisses him. There's no guilt left. As she says, she's just a woman. A masterpiece filled with a sense of immorality, highlighted by Ayaka-san's stunning performance.
'No, I can't, not that.' The older brother of her late husband approaches Aya Ka, who plays the widow, with twisted desires. She resists the carnal urge, but the sight of her red lingerie through her disheveled clothes, combined with her pained, desperate moans, is just...
*●Push point ・Mr. Tabuchi's serious, merciless immersion Mr. Muto's mind and body are steadily falling apart. Widow's obscene erotic spectacle ・Mr. Muto's mouth-only blowjob is very obscene ●Story development ・Misaki (Muto) celebrates the 1st anniversary of her late husband's death When she was feeling lonely, her husband and younger brother Tatsuo (Tabuchi) came over. To get back at my brother for not helping me when I was in trouble in the past, In front of his brother's dead image, he devours Misaki's body in revenge. Misaki resisted a little, perhaps because her body wanted a male. Tatsuo's sticky caress, making him take his cock in his mouth, Cunnilingus is inserted deeply, and the hot male fluid is poured into it, and it becomes sensitive. ・From the next day, Misaki is devoured by Tatsuo. Awakening to female pleasure again Immersed in Tatsuo and becoming more and more naughty. (From around 1:14) The flow from the kissing love is really erotic (Mr. Muto took Mr. Tabuchi's erect rod in his mouth only, The way he tongues the glans and drips saliva is really erotic.) (・Mr. Tabuchi's persistent licking and teasing all over the body, It makes Muto's mature nude body look even more beautiful and erotic) ●Appearance ・Mr. Muto is beautiful, slender, and has beautiful sagging breasts. Beautiful nipples with large areolas, this work is even more erotic. ・Mr. Tabuchi also has a thick and long cock. Mr. Muto's lewdness is fully exuded.
Ayaka Muto is in her 40s, but she has such a cute face and a youthful, slender body that any man would be drawn to her. Playing the role of a widow, her black mourning dress and the beautiful legs in black stockings are striking. The contrast of the wine-red lingerie—which might seem mismatched—actually makes it feel even more erotic. I get so excited watching her get turned on even while being violated.