SIVR-166 - [VR] Boob puff face blackout, super close-up angle specialized VR, Shion Yumi

I get what they were going for, but it wasn't executed well. The angles for the hidden parts are bad, and it's just hard to watch. The final missionary position is close-up, which is fine, but the actor is shaking her breasts like an idiot, so it doesn't capture Shion-san in a flattering way. If you're a pro, don't cut corners—film in a way that makes the actress look attractive.

I think these are the best angles for fans of Shion Yumi or anyone who wants to feel the pressure of her breasts. It's cheap and I'm extremely satisfied.

Breaking into a house and hooking up with a friend's little sister. The thrill of knowing you absolutely cannot get caught, combined with the overwhelming pleasure and excitement, is incredible. The heart-pounding, high-stakes thrill of the enclosed-space titjob and standing doggy style is amazing. Plus, the sex in the open space features ceiling-focused camera angles, letting you enjoy Shion's voluptuous body up close. You have to experience the guilty pleasure of having her all to yourself.

This is a VR experience where the breasts are pressed so close that the screen goes pitch black. It's the best; the sense of intimacy is incredible. When Shion Yumi says, 'It's warm,' I feel a warmth that shouldn't even be possible. If I had to pick a downside, there are a few moments where the screen is almost entirely black, which is a shame. Why don't they make VR like this anymore?!

I think this work is incredibly bold. Usually, it's standard to place an acrylic sheet in front of the camera and shoot with a wide-angle lens to ensure visibility. It's easier to watch that way. But this work attaches the camera directly to the subject. As a result, your vision goes pitch black. Some might find it hard to watch and dislike it. But I think it's realistic. And because it's realistic, it's exciting. It's just like covering your eyes with your hands—everything goes dark. I'm sure some people think, 'If you don't use an acrylic sheet and a wide-angle lens, you can't see the nipples!' (And they're probably the majority.) But when you're actually burying your face in someone's chest, isn't it pitch black? Isn't it more exciting to pursue that kind of realism? I'm sure that's what the director thought...! I hope so! It's a very rare and wonderful piece. I'd be thrilled if there were a sequel.