
A shota lures a runaway tanned gyaru to his place. She might look tough on the outside, but sheโs surprisingly lenient, letting him get away with all sorts of lewd pranks under the guise of 'boys being boys.'
I had a feeling his look wouldn't fit the concept, and I was right. Instead of a 'Oh, Shota-kun, you shouldn't do that' vibe, they're just giggling like idiots. It's not erotic at all and doesn't turn me on.
The structure leading up to the ending is poor, and there aren't really any highlights to speak of. Itโs one of the lower-rated works among Nakamura Romihi's filmography.
This series is always like this, but there's only one intimate scene, and the male actor's mosaic is so huge that you can't see the parts you actually want to see, which is incredibly frustrating. It might be worth a watch once, but once you've seen one featuring your favorite actress, there's really no need to watch the rest.
There are plenty of things to nitpick, like why Shota-kun's face is mosaicked, or whether Romihi Nakamura's strangely long silences are due to forgotten lines or just being a bad actress who can't improvise. However, between the jiggle of those breasts and her unique way of speaking (which makes you want to punch her after hearing it a few times), it's a gem that was worth renting. Definitely check it out.
The actress's bright personality really fits the role well. It's about a shota-kun taking home a runaway gyaru who has nowhere to stay. It captures that dynamic of immature sexual harassment disguised as childish innocence, paired with the older sister vibe of someone who just laughs along with it. Since she's a gyaru, there's still a sense of childishness, which adds an immoral, 'playing doctor' kind of feel. I like that her reactions are bright and she smiles a lot. The goofy, gag-manga style might be hit-or-miss for some, but I personally liked it. By the way, it ends with a creampie.