SONE-821 - On the train, I was severely sexually harassed and became aroused, my vagina felt good and I had an accident... Am I a pervert? Edama Nanami

I understand it's a dramatic setup, but I was wondering why no one around her noticed her being touched on the train. From Nanami-san's opening line, "I am mentally repelling the 痴●," I thought it was so cool, and the line really stuck with me. Thank you, staff, for delivering such a memorable experience.

A cute, slender actress with a short haircut, and the fact that her face is always visible during the piston action on the dual screen is amazing. I'd love to see a slender version in an off-shoulder top in this series.

The split-screen in the train reminded me of that old TMA bus high school girl scene… a bit much. The actress is cute and the uniform rate is high, which is a plus. My only complaint is the older male actor being constantly half-hard – it kinda kills the mood, honestly.

Kidama Nanami's style, expressions, and voice… this work is packed with charm. The main flow is roughly like this… First touch… Second touch… Some naughtiness in the library… Intense action in the library… Third touch… Intense action on the night train… Every shot is beautiful. It's a multi-angle production. Thanks for the watch!

Honestly, there's nothing to say about how cute Nana Edama looks in her school uniform anymore, and the groping scenes are solid, building on the strengths of previous works. The problem is just the structure. There aren't any issues with the play or the camerawork. The play itself is good. But the way it's connected and structured with the drama is where it gets divisive. Because it focuses so heavily on train groping – train to school, school to train, train to train – the genre feels locked into just groping play, which limits its appeal to those specifically into that. That means even a good work won't appeal to everyone. This is a big difference from the previous groping work, which had a more universal 'fall from grace' storyline starting with the groping. That's why it worked. It feels like they fell into a classic trap. Choosing this structure that doesn't appeal to everyone is one of the dividing lines. Another thing is that because it's a friend doing the groping, you lose the fun of someone else being groped. The fun of groping works comes from either understanding the experience of *being* groped by someone else, or the dramatic relationship with a friend who's doing the groping. The latter needs strong drama to be engaging, and this work lacks that. The split between these two sources of enjoyment, and the strong fantasy element of the final scene in the empty train car, creates a disconnect between the play and the drama, making it harder to get into. If they made the final scene in the empty train car a deliberate attempt to differentiate themselves from the previous work, it's a stubborn choice. The key to a good groping scene is the feeling of 'maybe someone will see' or 'someone is definitely watching.' Low risk of being seen just doesn't hit the same. To improve the work, instead of a direct friend, have the groping be discovered afterward, creating the fun of 'someone else being groped.' And have the final scene be Nana getting completely blown away on the train, followed by a move to a love hotel for sex – a progression of foreplay on the train and sex at the hotel. That would maintain the difference from the previous work while also catering to the groping fetish, making it a more universally appealing work.