SONE-989 - I am just the second woman who has her hole used by that person. Even so, I am happy. Edama Nanami

As the title suggests, the premise of being 'the second woman' is so heartbreaking that it really gets to you. I especially loved the scene where Nana skillfully peels a carrot with a peeler, despite having slightly longer nails. It showed off her dexterity. And then, when the actor says, "I told you not to put carrots in!", I found myself thinking, "She put so much effort into making it, there's no way she'd do that on purpose…" and completely immersed myself in the story. Thank you to the staff for delivering such a memorable experience.

Erutama Nanami's pure and innocent beauty, combined with a hint of sadness, really fits the role. The setup, script, structure, and direction all feel very tightly crafted. From a drama and play perspective, the scenes of her being taken advantage of in his room, the forced shower in the bathroom, ignoring her efforts to cook, forcing himself on her while his girlfriend is there, him making her watch him masturbate in the shower, and the ending where he basically kicks her out... there were 3 sex scenes and 2 without, plus the simulated sex in the bathroom and the face-shooting during the forced masturbation all added to the excitement. However, the M setting leads to some awkward neck-choking, and the actor's performance feels limited by the dynamic of him being dominant and her being submissive. I wish they'd toned down the other voices during the masturbation scene and just focused on Konamin's moans. The fact that you can identify her just from her voice kind of ruins the NTR vibe. And honestly, the guy is just so vile and trashy that you need to be into that kind of thing to enjoy this. The mental strain and self-loathing afterwards are a real drawback. While it's good, the level of mental baggage and self-disgust makes it hard to recommend to anyone with a healthy mindset. It feels like it's better used as a side dish, and even then, you're just left with more exhaustion and self-loathing. It feels like emphasizing the trashiness created new problems. Maybe if he just saw Konamin as a hole to be used, without any pretense of caring, there wouldn't be a need for the mental gymnastics, and the drama and play could have been more impactful? Maybe if he'd just treated her decently (skip the neck-choking), and just filmed her watching him masturbate, it could have created a similar atmosphere without being so extreme? Was the approach just too much?

This is about Konamin falling for a guy who turns out to be a total sleazeball. Her desperate, heartbroken expression... her body just doesn't seem to listen to her mind, it's so sad. The dark lighting really amplified her despair. Long Konamin looked absolutely gorgeous, it really suited her. The actor didn't play the guy as overly obnoxious, but he perfectly portrayed a pathetic man, and Konamin's heartbreaking despair was just phenomenal. Seriously, you gotta watch this.

*Since it is a gonzo-style work, the play may be a little bland. Still, she behaves like a ``second woman'' and shows off her erotic appearance and erotic play as the man tells her to do. Personally, the no-hands blowjob caught my eye. As a concept, it has an impression unlike any of S-1's previous works. Also, while I was excited by the eroticism, I felt that the presence of the main character, who does not show his face and only speaks his voice, makes the feelings of the viewer a little complicated, and brings out the "secondary" erotic nature of the work.

One of Nana's charms is her cute face combined with a voluptuous body, but she's been losing weight lately and becoming more slender. That's attractive in its own way, but I still miss a little more meat on her bones.