SPRD-555 - Better than my wife... A dangerous night with my mother-in-law (Kyoka Iwashita)

*This time, the mother-in-law has a husband, and there are two intense sex scenes between the couple. The first time, the mother-in-law is confessed to having peeped on her daughter's husband, and the second time, she greets him in erotic underwear, perhaps conscious of being peeped on by a man again, but in the middle of the process, she ends up making eye contact with the man peeping on her. It feels lewd for her to have a relationship with her daughter's man even though she has a husband, but when the man tells her that she has no physical relationship with her daughter, the hurdle to crossing the line is lowered. Kyoka Iwashita is pretty for her age, and her acting seems amateurish, but in Karami, she really feels it and her face gets excited, and her reactions come through naturally, making her likable. In most cases, the mother-in-law is left alone after her husband has passed away, but even if the mother-in-law is present, the possibility of a mother-in-law can be increased by devising a story.

Why is the rating so low? The interaction with the mother-in-law was satisfying enough, and the piston action... the way they connected during the thrusting was excellent. This was my first time seeing this actress; she's glamorous, and her expressions while feeling pleasure are better than her lines.

It's just way too lazy. The story is nothing more than a string of sex scenes. Having sex while eating is just wrong. And that scene in the middle with the middle-aged woman in flashy clothes and fishnets masturbating? That made no sense... and it ended without even finishing. If the plot were more serious, the actors could have actually shown their talent. A disappointing film. I'm curious about the actress who played the daughter; I'd like to know her name and other works.

First off, the actress Kyoka Iwashita isn't a beauty, but she has a curvy, alluring build that men tend to like—she's not bad at all, actually quite good. However, her delivery of emotional lines is terrible. And what was the point of the daughter's character? She just peeks and then leaves? That makes no sense. The scenes with the mother-in-law were too rushed; I wanted something more composed. The biggest waste was using Mitsuru Someshima as the father-in-law; it's a total misuse of talent. If you're going to use a 'well-endowed' actor, why have the actress do it reluctantly? It would be more natural if she sought him out because she wasn't satisfied with her husband. That said, the scene where Kyoka suddenly enters the bath in short shorts was incredibly erotic. It's the first time I've ever been able to imagine the outline of her privates.