SPRD-713 - Desperate Tavern Owner Saves Her Failing Business with 'Wednesday Naked Apron' Strategy

*The main thing is H, which is a situation that fetish lovers like. (Kappogi, apron, etc.) Even if you don't like it, Hibiki Otsuki's acting is good. In other works as well, this actress gives performances that thrill the viewers.

The naked-with-an-apron look was great, but it was such a waste that she took it off so quickly. I wanted her to stay in the apron longer—like when she's working through the discomfort of water spilling on her chest and showing her nipples, or when her hands are full with a large tray and she gets teased from below.

There are three sex scenes: one in a karaoke booth, one involving masturbation on a shop table, and one in the shop itself. I'm sure there are plenty of couples who do it in karaoke booths, right? Just wipe things down with a wet towel and it's fine. The table masturbation was actually quite erotic. However, if I had rented this, I would have felt like I wasted my money. I'm giving it a 3, with one point added as a bonus.

Personally, I don't care about the drama parts, so I just watched it, but this actress is really good at acting. It's amazing how she can handle both being pursued and doing the pursuing. Her gaze that makes you want her, her kisses, and the eroticism of her hip movements are truly sexy. She's a famous actress, but since I don't usually watch POV or fetish-specific projects, I didn't feel like the play was repetitive. In the story, she seduces her boss's subordinate, Horio, in a karaoke room, and later, driven by desire, she initiates things and they get intimate in a small restaurant. Also, I feel like there are fewer actresses doing cowgirl grinding these days; watching her reminded me of that. I'm tired of works that just jump straight into it or have nonsensical, non-erotic fantasy scenarios. It's easier to get immersed when there are supporting elements like this, where both parties seem to be craving each other.

*The beauty of Hibiki Otsuki It's a shame that this work was not put to good use. Takara's recent works are I can't see any progress from 3 years ago. Also comical The seriousness is also half-hearted. There are too many works that If we continue like this, we will only live in the glory of the past. The second person clinging to It's like cinema magic I feel like it. Somehow within the AV industry lost sight of the goal and drifted I feel like there is. There used to be good works, so Please take your work seriously.