SRD-034 - Rural Married Woman Hunting: Outdoor Action

*The second and third people had pretty beautiful breasts and good looks. However, although the third person probably had the original facial expressions, the sex act seemed more penance than necessary, and out of the three, the second person was the best.

*There's no Namariga, so it's not in Tohoku. Wouldn't it be more realistic if there was a Tohoku-like raw material? If you're from Tohoku, you can drive to a deserted place for about 60 minutes. It's easy to have sex in a car or outdoors, but there are mosquitoes, bears, wild boars, deer, and snakes, so please consider the location before doing it. Limited to summer. It's probably best to leave it alone for the winter! This is what I, a Tohoku native, actually did.

The third actor looks like he's in so much pain. By the end, the actress's lines—almost like she's begging him to finish—just sound sad.

*The first woman. She is fair-skinned and a bit plump, but she is more plump than fat, so I don't dislike her. Perhaps the title of this work, ``Big Breasted Married Woman,'' refers to her. As I will explain later, the other two girls don't have that big-breasted feel, so those who are looking for that should look at the samples carefully before deciding. This woman's talk is interesting, and she has an accent here and there, making her seem like a ``local wife.'' Moreover, the vocabulary is interesting, such as ``The dam of reason is bursting'' and ``Do you like me? When you say you like me, I want to do it.'' The way he seemed shy, the way he started to feel better even though he said no, the way his moans went from being suppressed at first to gradually becoming unconcerned were all good. Unfortunately, the actor was too fat. In the missionary position in the car, the actor's large body was almost completely covered, and only his face was photographed without showing his fair-skinned big breasts at all. 2nd person. It sounds good to be laid back, but the talk is boring. Too passive. I was expecting big breasts, but it was a shame that she had big nipples and not big breasts. The second actor was good, but the actress' reaction was a bit lacking. I wish they would have swapped the first and second actors. If we did that, good works would become even better, and bad works would be dismissed as bad works. Third person. She's fair-skinned, but she's not big-breasted either. Maybe it can't be helped because she's slender. The actress who had the most "married woman feel". The actors in this work are completely bad. There was probably a scene where she was bent over while standing up, and even after that, she didn't really come out, so I think the standing up part was fake. Finally, in the missionary position, I made the actress say, ``I'm about to cum,'' and ``Don't cum inside me,'' and then I continued to shake my hips endlessly. That line is probably what he says when he goes to the finish line. I wonder how long it is. This one probably broke in the middle as well. The actress was also not so good, but perhaps because she was acting, she felt even worse. The voice that said "I'm cumming" seemed genuine at the beginning, but by the end it was as if I could hear a voice in my heart telling me to cum quickly. The first actress was the best. At the end, she smiled happily and cheerfully, wanting to eat more. The fact that he said such cute things is also a big plus. But I feel like I've seen this person somewhere. Who is it? ?

The first housewife is fair-skinned and chubby with incredible sensitivity! What I liked most was the slight accent, which made it feel so realistic, like picking up a woman from the countryside. The other two have great figures, and even if they aren't huge-breasted, they're still very enjoyable. My only complaint is that the outdoor locations all seem to be the same spot. It might be difficult, but it would have been better to use unexpected places like a rural mall parking lot, or at least different spots in the mountains. Otherwise, the first actress's accent feels wasted. A bit of a missed opportunity.