SSIS-684 - Maria Hoshi explodes with sexual desire accumulated from 30 days of abstinence and becomes aroused! But... I also endured, so... you also refrain from ejaculation. An unexpected record of abstinence revenge!

Cute, short, slender, glamorous, and beautiful breasts. I don't think I'll ever find an actress who fits my preferences this well in the future. This is definitely a keeper.

If you want to see Yandere Maria-chan, you absolutely have to buy this!! Fellatio with teasing erotic words, nipple play, cowgirl position, and more! It's a masterpiece with moments of tenderness and plenty of yandere charm! A must-have!

She's got a pretty face and big breasts. If a girl like this was next to me, I'd beg on my knees, but watching it on video feels a bit different. I think the days when she was Tenon Mahina were better.

I'm satisfied because I like this actress so much that I bought and watched her previous work as well. I hope she continues to release works in the future.

"I feel satisfied both mentally and physically," she says herself, and the initial advances are no joke. The setting is 30 days after abstinence. She repeatedly says "it's hot" while raspily saying "it's not enough at all" and shaking her hips, and the climax is built with repeated kisses after. And at key moments, she looks directly into the camera, with a desperate gaze that feels like she's clinging on. You can definitely tell she's aware of performing for the camera. The word "pro" exchanged several times with the actor is fitting. The most impressive part is the scene until the finish, where she's almost fixed to the floor and continues to be thrust into. Her neck and arms writhe, her face, a sobbing voice, and her continuous movements are exposed for a long time. You can tell the pleasure is real from the movement of her legs and the twitching of her abdominal muscles. I've been watching since the Tenon Mahina days, but this is the most raw I've ever seen. She's got serious skill. Saari director's camerawork and editing also greatly enhance the immersion. There are a lot of close-ups. And the director's real intention seems to be in the subsequent "sweet sadism" play. Her signature innocent smile, good expressions, and the "sweetness" of holding hands while suppressing or caring for the other person are all clearly shown in her own style of "sweet sadism." It's fun to watch, but honestly, the preliminary play is just too insane. Even before her name change, Maria Hoshi has shown a play that "connects" in various situations, right there and then. In this work as well, I'm happy to feel her personality in a short exchange of words. A work by Maria Hoshi who has gained experience and become more free in her expression. It's definitely worth watching. As a listener, I feel like I've gained some courage and energy. I want to watch how she grows as an actress. Definitely a keeper.