SSNI-294 - 週5日間通勤電車で執拗な乳揉み痴●に堕ちたマゾ巨乳人妻 奥田咲

Does the existence of this type of work mean they don't value the actors? If they don't start valuing acting, looks, and style more, I'm worried the AV industry will decline like it did in the past... I know there are regulations, but I hope they try harder.

There are plenty of nipple play scenes, but not enough licking or sucking. I wish there had been more of that slurping action.

It's a standard groping-themed video, but the way they go about it is beyond just 'groping.' Even for an AV, I think a bit more suspenseful direction would have been better. The breast fondling and nipple play were good, but the only difference between the hotel and train scenes was the location, so I don't see why they bothered with the train setting. The groping is too open and the situation feels half-baked. It ends with a facial, but I wish they had all penetrated her and really made Saki-chan feel it. It lacked that 'masochistic big-boobs' vibe. She had the sultry, married-woman aura, but there was zero sense of 'doing something forbidden.' It needs better direction and structure to really get the viewer excited.

*The tragedy of a big-breasted married woman who was registered on a molestation matching app by her boss at work. Although it is billed as a movie about molestation inside a train, it actually ends up being a molestation inside a train, which is impossible. In the first half, the relentless pie-masking, nipple-playing, and molestation are really effective, and I like how she gradually feels more masochistic and is forced to react lewdly. She is frightened by the blatant act of molestation, unable to resist due to fear and shame, and before she notices the persistent, skillful and escalating act, her naturally sensitive naked body begins to feel an inadmissible pleasure. Even after being molested for the second time, the pleasure is firmly imprinted on her, and even though she hates it, she gradually gets used to the humiliation of being molested, but it does not lead to rape... That night, my body ached without me realizing it, and I asked my husband, but he refused... Then, when she is molested for the third time, even though she does not like it, she whispers dirty words to her, and she can't help but respond to it, and her pussy is played with for the first time, and finally it progresses to rape in the car, and she is robbed of her chastity as a married woman. Up until this point, it's been relatively polite for a work that's about obscenity, so there's no problem with it... The interior ring at the end has the same feeling of being destroyed as mentioned at the beginning. For the time being, it was staged during the daytime when there were almost no regular passengers, and a group of molesters had gathered around her and isolated her from the regular passengers. However, as the act progresses, it collapses. Still, as a movie about inside a car, I think the film tried to keep the scenes of destruction to a minimum, so I guess we should take that with a grain of salt. Also, I think it's good to see Okuda Saki's huge breasts played with and degraded. Her acting, where she tends to be blamed for being weak against her pushback, is also good, and the way the rather plain-looking girl falls into a masochist is fitting and exciting.

The BGM and dialogue actually match perfectly. Does the production team know their classical piano? The dialogue, scenes, and music are perfectly synced. Beethoven's Piano Sonata No. 14, 3rd movement, captures the heart wavering under caresses, while the main theme of Chopin's Polonaise No. 6 represents the height of sexual pleasure. There's no need to explain the meaning of the coda that follows. The meaning behind Saki Okuda's finger movements in the final scene is also self-evident. Yet, some people seem intent on disparaging and destroying this culture. Why is that? Do they not understand piano, culture, or human nature?