
Unlocking Honjo Suzu's hidden potential. Four unique directors capture her in different 'exhibitionist' scenarios. Discover a side of her you've never seen before. Which version of Suzu will break you?




















*In the final sex, a man who can enjoy sexual pleasure ejaculates by inserting his dick into the pussy of a superb woman named Suzu Honjo. The man who is tasting Suzu Honjo's pussy with his dick gradually sees semen and semen rising up from his dick, and he feels that his dick is approaching the limit of its endurance. While putting his dick into the woman's pussy, the man keeps bringing his face close to the woman's face and enjoying the woman's beauty and pussy. When the man's dick approaches the limit of his endurance, he covers the woman and continues to thrust his dick into her pussy, enjoying the sexual pleasure that passes from pussy to dick. The woman touches the man's face with both hands and says, ``I love you'' and ``I love your cock,'' and the man feels the woman's pussy and her hands, and as he feels his dick approaching its limit, he begins to taste her pussy with his dick and prepares to ejaculate. When the woman tells him to ``push harder,'' the man uses his maximum force to thrust into her pussy, and the man becomes preoccupied with the woman's pussy. When the man's dick finally approaches its limit, he cries out, "Let me cum," to which the woman replies, ``Let me cum as much as I can.'' These words ignite the man's dick and sexual desire, and he continues to thrust his dick even harder into her pussy. "Ah!" The man's dick reached its limit and he pulled out his dick, which was on the verge of exploding, from her pussy. The man immediately brought his dick closer to the woman's belly button and leaked semen while saying "Ah ♡". The man and woman breathe heavily as they taste each other's genitals, the man spitting out his cum, and the woman staring at his dick, which is leaking cum. The man felt strong sexual pleasure from spitting out the sperm from his dick.
It was a pretty difficult work to judge whether Suzu-chan is suited for playing a nymphomaniac or not. It's impossible to judge based on just this one video, but there were some good parts here and there.
*I love the work of this chapter directed by Tiger Kosakai. I love it as an AV, but I also love it as a documentary. I imagine that Director Kosakai would make a good documentary even if he had him make a documentary. I think this work expresses the loneliness and sadness of a documentary work, and I'm really drawn to it. Mr. Honjo first consults the director about his concerns, and I am drawn to the documentary feel. From there, it becomes an AV-like development, but it also feels like a movie, and I really like it. This work expresses everything I want to see in a video work, such as loneliness, sadness, fragility, and eroticism. I think Suzu Honjo should do more acting work. That's why I like Mr. Honjo's facial expressions when he appears on camera. Recommended not only for AV fans but also for documentary fans. If I had to choose a favorite video work, this one would be the first to be mentioned.
She wasn't exactly playing a nymphomaniac, but the actress's visuals were good and the scenes were decent enough, so it wasn't as terrible as people make it out to be. That said, it's true that I didn't really see much potential in her at this point.
*The story begins with Suzu, who is putting on her make-up, being called out to by a girl's AD-like voice, creating a sense of anticipation. I think Suzu seems to be having fun in every arc, but I think she could be more aggressive. Because she wants you to become a slut. To be called a slut, she must be enthusiastic and willing to have sex with a man (literally). I think that kind of greed has to come out. The sense of tempo is lacking overall. Part 1: In Nimura's works, the male actor has a familiar face, and if you want to attack him, you have to be a lot better than him to make him look like a slut. I want a stronger word for greed. It's a shame because the filming location isn't very clean. In part 2, the AV actress gives advice, but Suzu's reaction is slow. I wish they would react more strongly to being happy about being naughty. If you're happy to blame the old man, I want you to express it more strongly. Part 3 is an introductory shot with little artistic expansion, but I can see that he likes to tease. This may be the case. I made it to the end. I don't know how much of the setting the director complained about was intentional. In Part 4, she teases a male relative by showing him masturbating inexplicably. The mystery of the situation creates a sense of unsatisfaction. It's fun to see her super body in each piece, but there are too many other parts. There are four directors, and even the name of the producer is mentioned, so there are too few highlights. The plan is too lenient. That was my dissatisfaction.