STARS-219 - AV Retirement. Sho Nishino

This is Sho Nishino's retirement work. She debuted as an AV idol in 2004 and was active for 16 years. There were many turning points, but the most notable was 2013, when she became known as the 'National Housewife' in Asia. That's when her slender upper body started to become more voluptuous. Her bust went from a C-cup in 2010 to a D-cup in 2014, and eventually a G-cup in 2018. Another turning point was her shift into acting. She became a Moodyz exclusive in 2008, playing in teacher-rape scenarios, and started acting in more serious dramas with Attackers in 2011. In this film, her performance with Masahiro Tabuchi is memorable—specifically a scene (no longer available on FANZA) from 'Roshutsukyo' where he grabs her now-full breasts from behind. Her charm was always her petite bust paired with a curvy lower body, but seeing her breasts being squeezed until they overflowed from his hands made me instantly aroused. Her sharp jawline was always her best feature, and even with her rounder face in this film, that jawline stood out as quintessentially Sho Nishino. Her retirement is a shame, but I still watch her old videos on my computer from time to time.

Samejima appears. The foreplay, or rather the groping of the genitals, is quite long. Sho-chan's foreplay afterwards is also long, and Samejima seems to struggle to hold back after insertion. He makes her move in cowgirl, makes her hold back, then switches to missionary for some shallow thrusting before cumming on her stomach. It felt like Sho-chan enjoyed it (lol). Next, Sho-chan, the bespectacled manga artist, gets a massage. The therapist is Kuroda! Sho-chan's slightly chubby body looks delicious (lol). They take plenty of time here too... finally, the vaginal massage after insertion starts to get good (lol). As expected of Kuroda, the slow, steady thrusting continues, but he barely ejaculates during the missionary-to-chest-cumming scene... What's wrong, Kuroda? That was a dud (lol). The 'primitive man' appears. He begs for anal pegging. The intro is long again... and for a while, Sho-chan is the one attacking while the guy moans, which is an absurd development... frustrating. In the second half, he inserts into Sho-chan and thrusts, but it ends quickly with oral ejaculation from missionary. Finally, Tabuchi appears, but it's just nostalgic fluff. It starts with slow, sluggish thrusting like 'slow sex,' which was disappointing... ending in oral ejaculation. It seems Director Nimura's preference for slow pacing and male-actor-attacking-with-pegging didn't really work out here!? As a Sho-chan fan, I find this a bit of a disappointing retirement work!?

I've been a fan of Nishino Sho-chan for a very long time, ever since her debut as a beautiful young girl. Many say her current look—curvy, voluptuous, and with short hair—is her most erotic form yet, and I have to agree. As a retirement work, it's standard, but it's sad to think this is the last one. I'm giving it full marks with my gratitude. Wishing you happiness!

As a huge fan of Sho Nishino, I should give this a perfect score, but I was only satisfied with 2 out of the 4 episodes! Episode 1 was just a tedious, frustrating drag with a creepy otaku subordinate (# ﾟДﾟ). Episode 3, involving a strap-on with a perverted boyfriend, dragged on just as long as the first. Episode 4, an affair with her frequent co-star Tabuchi, felt like they were the only ones having fun. It's a shame, because this material would have been much more exciting as a slow-burn 2-hour drama. Episode 2, where she really shines, also should have been a 2-3 hour drama. The interaction between the plain otaku girl (manga artist) and Kuroda the masseur was brilliant. Her bespectacled look has a beauty, intelligence, and sexiness that reminds me of Minami Tanaka ( ´艸｀). As Sho-chan said, her body, having gained 10kg since her debut, is stunning—just like Yumi Kazama in 'Career Woman Female Rape'!! (Omitted) Overall rating is 2 stars, but I'm giving it 4 stars out of gratitude to Sho Nishino.

I owe a lot to Nishino Sho for her S1 era works—the barely-there mosaics, the exhibitionist roles, the sadistic themes, and those massive, iconic curves. However, I have to put sentimentality aside for this review. I had high hopes when she moved to SOD for the final chapter of her career, but if you ask me if there was any work that truly captured her charm, I have to say 'NO.' None of the exhibitionist or big-butt themes I loved were present. This final work felt so obsessed with the mechanics and the male actor that it actually diminished her current appeal. You don't even see any anal play. It’s a safe retirement film, but it’s sad to think this is the end.