STARS-341 - Born-again fawn, non-stop piston fuck all day long, Makoto Toda

*The stockings on the lower body are removed, the pants are pulled down, and the long fluffy pubic hair is exposed, it's nice! Makoto-chan stands on her tiptoes and accepts the back piston, it's amazing! I can't bear to fuck her until she can't stand on her legs, then force her to stand up again and do a standing doggy style loop. Her eyes went blank as if she was trying to surrender herself to the pleasure, and she stood back up, drooling, and couldn't help but gasp.

*A series with an unusual and eye-catching title that focuses on the back piston of Ms. Makoto, the queen of oppression (or so I think). The Japanese in the introduction is a little strange (interview → employee training, handing over the body? → surrendering?, collapsing? → collapsing?), but it's strange to say that it's like a fawn. This is a work that once again made me realize that Makoto-san's most outstanding performance is the scene where she collapses as her body trembles under attack (and her heart collapses at the same time). In the introduction, Makoto asks her not to be photographed, but I wasn't sure about whether she accepts the act itself or whether she thinks there's nothing she can do about it because it's a company order (there's no such thing as that), and the level of refusal and Makoto's character development. However, once the game starts, you can see Makoto in an overwhelmingly beautiful way, so it's okay lol Whether it's the scene where she's drooling when a piece of meat is shoved into her mouth or the act where she feels her body and face with fingering, her reactions when she's being attacked are still top-notch as always. You can see each reaction in other actresses, but it's amazing how thorough she is in giving the same reaction, and it gives off a chilling feeling that comes from Makoto's performance. As the title suggests, like a fawn, Makoto is carried around the room, such as in front of the mirror, on the kitchen table, and on the sofa, and is constantly being penetrated. Makoto, who I thought was the ``Queen of Masochism'' from her previous works, saw her play in the first half of this work, and I came to think that she is a genius at playing masochism, with everything from her voice to her ahegao face. The midfield uses 3P and tools. The first half was a great enough performance and I was able to enjoy Makoto's great performance, but I didn't really feel the difference from the first half. I continued on to the final play part, thinking that my butt would be sagging. No, Makoto was a genius after all. Makoto's play was more than sharp in the first half, but in the second half, she surpassed even that...Perhaps she was in a state of so-called pleasure, but she occasionally showed a contorted smile that seemed almost insane, and Makoto continued to be penetrated with a motsu in her mouth.It was an overwhelming play that even felt beautiful. As he said in an interview after the shoot, it must have been very difficult to shoot in a deer-like position all the time, but I can only thank Makoto for leaving us with such a unique work.

I'm a fan of works where Makoto Toda gets bullied, so this one really got me excited.

The women in this series usually react with a pitiful sense of reluctance, but in this installment, she seems quite enthusiastic as she loses control.

I love Pierre Ken and Makoto is cute, so I had high expectations, but there was absolutely nothing to get off to. Makoto is trying her best, but she's acting so over-the-top from the start—I can't tell if it's acting or if she's actually into it—that it's just not interesting. It didn't excite me, and I couldn't even get an erection. If I were the director, I could make something much better than this.