
Yuna was enjoying a peaceful married life with her husband until her father-in-law moved in after a fight with his wife. While her husband treats him with kindness, Yuna is deeply uncomfortable with his lecherous gaze and sticky touches. When the father-in-law finally crosses the line, Yuna finds herself unable to resist the perverse pleasure of their forbidden encounters.




















*With her visuals these days, I guess it wouldn't be too much of a stretch for her to play the role of a married woman. The content is neither good nor bad.
Everything was top-tier, so it's going into my Hall of Fame. Next, I'd love to see some massage NTR or nursing care themes.
*This is my first time watching Yuna Ogura. She's a cute person. It really feels like there's no other way to describe it than to say it's cute. If you feel this way, you can say it's a success on the production side. He's also good at acting. There are a lot of acting scenes, especially in the beginning, but I was able to watch it as a drama with peace of mind. However, in the scene where the father-in-law asks the couple to live together for a while, his reluctance can be seen to be a bit obvious, and perhaps that's what the director had instructed him to do. The drama progresses, and the story gradually moves toward the couple's bedroom at night, the wife asking for help but being turned away both times, and the father-in-law eavesdropping both times and leaving wondering if he's going to do it again today. The next day, the daughter-in-law sees her father-in-law completely naked, and even though she blames him, she looks at him twice and her eyes are focused on his crotch. I think the acting and direction here are standard and good. Furthermore, he smells her underwear, touches his wife's buttocks, receives a slap from his wife, and while honestly apologizing, he leaves, saying that the reason he was kicked out by his wife was because of alcohol.At this point, I felt that he could have been a woman instead of alcohol, but I think alcohol would have been better in order to move the drama along more easily. Then, the next day, starting from the kotatsu, she enters the karami, and of course her father-in-law forces her to come at him, but Yuna-sama's performance here is good, not too strong, not too weak, and even though she shows resistance, she is made to cum over and over again by her father-in-law's tongue, finger, and fuck.It is quite exciting, but at the same time, I think it also expresses the sad nature of a woman. Of course, I think that includes Mr. Ozawa's technique and acting while observing the reactions of the actresses. The father-in-law leaves, perhaps reflecting on his feelings, and the wife sits in the living room at dusk, on the one-seater sofa, absentmindedly touching the ring on her left hand.What is she thinking? I don't seem to be shocked at being raped, perhaps my husband sees me as a woman? Maybe that's what you're thinking. Father-in-law has returned. Having sex with his wife at night, going to his father-in-law's room, having sex with him for the second time, and the next day onwards, with some perverted play, etc., the scene returns to the kotatsu, and the three of them are together. Is the wife at this time attracted to her bewitching-looking father-in-law, who is far older than her? After this, the father-in-law leaves the living room at dusk, which is different from the previous dusk, and the father-in-law returns.The last sentence, the husband's line, does the husband not see his wife as a woman? My wife finds her father-in-law so cute and adorable that she can't help it. That's all.
If you're sleeping with your butt half-exposed, even a pervy old man would want to touch. Seeing her repressed desires get sniffed out and watching her fall through cunnilingus and fingering was great. Yuna Ogura was so erotic with her fellatio and deep kissing!
Let's overlook how easily she falls for her father-in-law's techniques. The pacing is a bit fast—getting aroused by his technique right next to her husband, or following him into his room to undress—but her expressions and gestures are adorable, and she portrays her pleasure very well. The pained, shy voice saying things like 'Father-in-law, please don't look' or 'It's embarrassing, please don't say that' was excellent. Her face and body are also my type, so I really love this work.