
New project! Instant climax on contact! Makoto, a virtuous wife who has only ever been with her husband, visits a massage parlor that has a 3-month waiting list to relieve stress. But under the therapist's insane techniques, her hidden carnal desires explode. 'Teacher... I can't go home like this... ahhh!' Watch her get completely broken and re-developed in this intense session.


















This is the work that got me hooked on Makoto Toda. Her reactions when her nipples and clitoris are stimulated are truly god-tier. She consistently delivers high-level performances in all her works.
*She is made to cum just by pushing her uterus, and continues to be made to cum over and over again. What a pleasure! Both Makorin and the actor give great performances. Also, I like that Makorin is cute and has a very beautiful body. I think Makolin's lines during sex are very cute without being vulgar.
*Those who have actually developed a Portio for a woman will understand that while there are many works that make women feel half-forced with devices and violent pistons, this is a classic Portio development that gradually increases a woman's sensitivity to the climax and finally penetrates her core and destroys her.Once she has learned the pleasure of a Portio, the way her body trembles little by little under the control of the quiet pleasure is like seeing the mystery of the female body, and it is more than excitement and is already moving.
Rather than fellatio, it's more of a nipple-specialized performance. The scenes where she's being touched and twitching are superb. Her arching her back while glistening with oil and drooling is her true essence!
*Makoto Toda's slender yet plump body is extremely erotic. Nipples, buttocks, belly meat, thighs, everything is twitching. It convulses and shakes. That voice is erotic and tron His depressed face turned slightly white. It seemed like it felt really good. In the end, I couldn't wait and started masturbating. It's lewd. It was a work filled with Toda Makoto's cuteness and eroticism.