
A long-distance couple living in different worlds. Despite their deep affection, the distance makes them drift apart. Their longing to be together manifests in intense, non-stop intimacy during their rare monthly meetings. 'I love you, now, in ten years, and in our next life.' A story of a passionate night where love and raw pleasure collide.




















I'm a woman. While recent high-production 'for women' titles are nice, this one made my heart race, felt more poignant, exciting, and even made me cry more than those. Furukawa-san's tears at the end say it all. When you have sex that's truly overflowing with emotion, you can't help but cry. Gentlemen, please talk to your partners during sex. Saying 'I love you,' 'You're cute,' or 'I'm so happy' might feel embarrassing, but those words make women feel happy, cherished, and more aroused! It's been a while since I've seen such a good film. I hope there are more like this.
*It's good that they're so lovey-dovey, but it's obvious that they're wearing rubber bands. It turns out that the creampie was a lie. But Iori Furukawa is suited for this kind of lovey-dovey character.
*As others have said, the screen is too dark. It has a good atmosphere, but I put too much emphasis on it. There is no point in making it difficult to see the naked body of the actress. You often see such performances in general movies. I don't think it's possible to do that with AV.
*My favorite “Iori Furukawa” is finally appearing! My expectations are at max... As for the series, the level of anxiety is at its max lol Although the general concept remains the same, the main setting and detailed settings have been changed from the previous work, making it a slightly more casual work. And we may be able to expect a bright scene in the package... Iori is so cute when she speaks her Kansai dialect! This is Maiori, who I've been dying to see! The joy is short-lived... From the beginning, the setting of the work is drastically disrupted. It seems that her boyfriend is a member of a theater company that is not selling well, but there is no real sense of where he lives, which is a shame... It's not impossible, but if a house is his home, he won't be able to create an atmosphere where he's more like a "man" than a "person" unless he makes some kind of pretense. It turns out that "Iori" who visits there has no particular reason or determination, so there is no emotional excitement about the eroticism that is about to unfold. The ``misunderstanding'' that was barely included has the effect of fully enlivening Iori's appearance. The scenes are carefully depicted, and the scene where they make love in the bathroom and the scene where they make out in the washroom is bright and bright, and can be said to be one of the recommended scenes in this work. In a sense, it can be said that this scene incorporates all the settings of this work, so it's wonderful, but on the other hand, the subsequent scenes are boring. The scene where they make out in the dark to watch a movie becomes a scene that, as expected, is difficult to watch, and no matter how erotic the play is, it is hopelessly dark and difficult to watch. On the contrary, the insert scenes of making out in the living room, kitchen, and hallway are more erotic. Then, it's a late-night lovey-dovey, but it's so dark that you can barely watch it, so you can watch it, but since it's a purely love-based lovey-dovey, the play progresses in a rather "normal" way (not only is it erotic, but the duration of each act is short), so it ends with a bit of indigestion (I wish he'd have licked his belly button, but the missionary position where he shows off both of his sides is erotic). It's nice to see Iori-san, who seems to have a great ending. Even when considering the setting, character description, emotional development, relationships between each scene, and the image of the future in the ending, the screenplay, pursuit of reality, emotional excitement, pure eroticism, and expression of fatal darkness are difficult to describe even with the charm of ``Iori Furukawa.'' Is this commitment to “darkness” something that cannot be shaken from the concept of your work?
*It's a shame that Iori Furukawa's body can't be seen clearly, and it's such a bad work that it doesn't deserve a rating, so I'm at a loss as to how to review it. Not only are there dark scenes, but since it's AV, I understand the need for artistic intervention, but from the user's point of view, Iori Furukawa's body was the goal, so I think it's understandable to be disappointed that the work ended up missing the point.