
Iori, a beautiful widow who lost her husband, attracts his old friends who come to comfort her. But they don't know the truth: she's a psycho masochist who thrives on draining men dry. As they fall deeper into her trap, they realize too late that they're just fuel for her insatiable lust.




















It's a widow in mourning clothes theme. I had high expectations because she's a beautiful actress, but it was just average—nothing special, nothing bad.
*Yukari Furukawa, who has played many cute and naughty older sister roles, gives a passionate performance in this full-scale drama. You can meet a slightly scary girlfriend. A masterpiece that will give you thrilling excitement (not just eroticism). It's rare to see works like this. Nanami Kawakami is probably the only young actress who can act this well. Definitely 5 stars.
The concept of a 'Psycho M' is brilliant. Iori Furukawa fits the role perfectly, creating a strange, erotic vibe.
*Needless to say, Iori's acting skills are amazing. The sex scene in kimono mourning clothes was extremely erotic.
*I thought the concept of the work was wonderful, but I'm very disappointed that it ended up feeling like I wanted to shoot a suspense movie rather than an AV movie. It was a regrettable structure that it gave too much away to the suspenseful development. The widow played by Iori Furukawa is extremely bewitching and wonderful, so if it had been carefully developed, it would have been a masterpiece...The interaction with "Ishii" from the beginning also creates a sense of time passing, and even hints at the cause of her late husband's death. However, since it consists of a wonderfully exciting first half with a bewitching widow, a lewd woman, a lewd masochist woman, and a woman who shows signs of being dependent, and the second half is a suspenseful story, the second half was not as exciting as the first half. I can't find any reason in the work why the means of saying "goodbye" is that way, so it seems like it's just a "psycho" production, and it's a good setting that Sakurai, who has a distorted sexual desire because he wasn't satisfied, and the otaku, who try to form a relationship in a way that tests them, is a good setting, but it's not that good. If you push him hard, it's obvious that the man will run away just by saying ``goodbye'', so I don't think there's a reason for him to say ``I'd rather leave...'', and it would have been great if the second half had been greeted with the ``obsession'' that Ishii showed, which was more satisfying than ``Sakrai'' and ``Ota''. For example, if "Sakurai" and "Ota" end with just a scene where each of them runs away from their rejections, and the story ends with the characters being attacked rather than the attacking "Ishii" of the first half, learning about the relationship between Iori and the two of them, and choosing not to run away from feelings such as sympathy and pity for Iori, who has become attached to him through psychotic means, I feel that both AV and suspense can be achieved. That's why the first half was carefully structured, and I was able to empathize deeply with it, and I was also excited. So, if you want to skip it, I recommend the first half.