
Miyajima Mei is brought to extreme arousal through intense piston vibrations and continued thrusting, resulting in profuse fluid release. Exclamations such as "I can't take it anymore!" and "I'm going again!" Repeated orgasms are followed by forceful stimulation of the cervix with relentless, continued penetration, leading to uncontrollable spasms and fluid expulsion. Continuous alternating insertion with a high-speed drill and an extremely thick penis causes profuse sweating and a loss of consciousness.


















They just threw in a bunch of vibrators that didn't even *do* anything. Honestly, a regular scene would've been better. A bit disappointing.
It's a work where Mei-chan is constantly being attacked, but the attacks feel monotonous. Since the piston vibe is the main focus, the piston's stroke looks monotonous. There aren't many kissing scenes, and I think the chemistry with the actor is more exciting?
As others have mentioned, there was a problem with the machine constantly coming loose at the beginning. If it had been caught on camera even for a moment, the staff could have fixed it... The flow was really interrupted. And apart from the very end, the number of follow-up attacks was low and ended with a single burst. Despite it being a tireless machine vibe, it only did one non-stop piston and almost stopped during the second orgasm. There were multiple consecutive follow-up attacks at the end, but they were done by the actor himself. I wish they had used other toys besides the piston vibe... The number of orgasms was high, but it didn't feel satisfying. I wish they had kept going aggressively right after the climax. 130 orgasms, 59 follow-up attacks.
She's *really* into it from the very first vibrator scene. You can see her abs flexing as she subtly adjusts things to get the right stimulation โ she's definitely enjoying herself. But why is the actor only partially masked? I think it's K-san, but maybe the focus is on the vibrator, so they went with that. Either way, Mei-san looks incredibly happy with both the vibrator and the actor. The rest of the scene is similar, but it doesn't get boring. That's probably because she's having so much fun. I was relieved at the end that the vibrator didn't accidentally hurt Mei-san!
As a series, it was a concept where the director Komatsu (17) utilized his sensibilities to create hard-hitting scenes, with the male performer responding perfectly and the female performer acting accordingly to draw out the fun. But since it changed to director Dainana, it doesn't have the same impact as before. Compared to the first installment, it definitely feels less intense. The first scene is okay, but the piston vibe keeps slipping out, breaking the flow, and a broken flow breaks the excitement. Still, it's the best scene in the whole work. The second scene uses a piston vibe and a 3P to attack Miyajima Mei, but the direction to elicit a hametchiofuki doesn't work well, and repeatedly slipping during the hametchiofuki is fatal. The constant misses and slips during the hametchiofuki keep the tension low, and the use of the piston vibe is awkward. Compared to the first installment, the first one clearly separates the attack with the piston vibe and the attack by the male performer, making it easier to watch. Why did they keep repeating the slipping hametchiofuki? The thong must have been designed to be easy to remove even when the piston vibe is inserted. In the end, it didn't climax properly. The last scene is particularly bad, the costume doesn't fit the atmosphere or the play, the piston vibe isn't used well, and it feels like it's hindering Mei. They even say it's affecting the camera work โ what's going on? Did the male performer, cameraman, and director properly discuss the camera angles for this scene? It's the most frustrating scene in the whole work. Incidentally, Mei is wearing the same choker as Natsume Kyoko in the first installment, but comparing Kyoko's state of undress to Mei's, the level of excitement is different. It's fine for another director to take over the series, and it's okay to add originality, but can we please carry over the good direction and good composition? With this flow, I don't have any hope that the next work will be good, no matter which actress they cast.