
Hibiki endured an affair, pressure from her mother-in-law, and a stifling marriage before losing her husband. Her husband inherited his parents' company and became president, but was arrogant and repeatedly abused his power over employees. Hibiki was targeted by an employee who resented her husband and was drugged at the funeral… ※ This work is a happy story about a widow who has endured everything being liberated by the drug.




















Her mourning outfit is beautiful, but the mother-in-law's acting is so cheesy and annoying! I didn't need the 3P right from the start… Instead of in front of the memorial photo, I wish they'd started the interaction with Aoi in a different tatami room. The group orgy was also just… over the top and comical. All the way in, and she's putting in the effort to get naked, but it just doesn't click!
Is this a widow's kissing scene thing, and is it… you know? I was hesitant because I thought it might not be my thing, but I ordered it anyway. I heard the filming was incredibly wild, and before it even arrived, Natume Hyou tweeted that this was a happy story about a widow who had endured everything until now finally being liberated through… well, you get the idea. What the…? I started with a mix of anticipation and anxiety… The shift from mourning clothes (oppression) to uninhibited joy is seriously arousing. Natume-san’s eroticism after being liberated is just… wow. What I really enjoyed about this was watching Natume Hyou’s facial expressions. During the funeral and subsequent memorial services, she’s completely expressionless, melancholic, and even cold, hinting at some evil scheme, yet remaining stoic. Even after being drugged and… you know… she still tries to suppress her voice with her hands, not fully succumbing. But… when her reason finally breaks down… the change in her expression is incredible. Once she lets loose, she’s like a runaway train, a torrent of eroticism… even in disarray, she’s beautiful. What struck me was the final scene. It showed a gentle expression we hadn’t seen before. Maybe she passed on to the next world then… or maybe she’s decided to live life on her own terms… perhaps she’s been reborn.
【Review】『Gangimari Widow in Mourning』—Natsume Hibiki shows an ecstasy of “madness and pleasure”. Mourning clothes, widow, aphrodisiac—these alone complete a package of decadence, but the presence of Natsume Hibiki prevents this work from ending as a “mere extreme AV”. This work, 『Gangimari Widow in Mourning』, produced by the START label, is an extremely challenging work that depicts the figure of a woman who shakes the boundaries between loss and pleasure, stillness and movement. ■ The subtlety of story and direction The stage of the story is a funeral hall. Hibiki (Natsume Hibiki), a widow dressed in mourning clothes, is given an aphrodisiac by her relatives and falls into physical pleasure for the first time in two years. If you only look at the setting, it's intense, but the overall tone of the work is surprisingly delicately restrained, and the direction that slowly depicts the change in emotions stands out. The “gradation” of the process of reason gradually breaking down from the somber atmosphere at the beginning is excellent. Gaze, breath, trembling hands—everything is imbued with Natsume Hibiki's certain acting ability. ■ The power of Natsume Hibiki as an actress Her greatest weapon is “realistic sensual expression”. The exquisite balance of not overacting, but not suppressing it either. That's what maintains immersion even in such an extreme scenario. In particular, the climax scene is noteworthy. The way she is dominated by pleasure, unable to resist the effects of the drug, is so vivid and beautiful. The moment when her convulsing body and tearful expression are mixed, the viewer is also shaken somewhere. ■ “Artistic value” beyond practicality This work is a waste to watch with the sole purpose of “getting off”. There is a posture to properly depict the theme of loss and desire, and it has a high level of completion as a video work as well as practicality as an AV. The filming is also excellent, with a consistent aesthetic in lighting and composition, which greatly contributes to the overall atmosphere of the work. Overall Rating: ★★★★★ (5/5) 『Gangimari Widow in Mourning』 is a masterpiece that transcends genre, maximizing the power of the actress Natsume Hibiki. It is a rare work where certain acting and aesthetics coexist within the extreme. ・A must-see for Natsume Hibiki fans. ・Recommended for those who like “kimesek” or decadent drama-type AVs. ・High level in everything from eroticism to acting, composition, and visual beauty.
Natsume Hyo possesses acting skills that would even impress major terrestrial broadcasters, and she showcases them in the sexy entertainment world. If there were a parallel universe where she hadn't become a sexy actress, she'd likely be appearing on prime-time variety shows – a truly remarkable person. She could even become a woman like 'Mrs. Devi'! I'm a small spender with limited funds for living expenses and personal activities, so I can't support Natsume Hyo as much as I'd like. However, her artistic sensitivity is excellent, her education is beautiful, and her personality is wonderful. I instinctively feel encouraged and motivated by her. I wish for Natsume Hyo's brilliance to shine even brighter, and I'm looking forward to her future endeavors!!! Thank you! (ωФ)チラッ♡
The over-the-top eye rolling and forced convulsions are really noticeable. Even with multiple performers, it just keeps going back to the same fantasy deep-throat, which doesn't build any excitement. If it's supposed to be a hard scene, they need to go further – like getting Natume Hyou's beautiful face completely covered in… well, you know. A faceful, basically.