START-269 - Real estate agent Natsume Hibiki engages in a sexual encounter with the boyfriend of a couple viewing a property for cohabitation.

The male actor who looks like Fujimon keeps saying things like "Oh!" or "Hmm~" or "Ah~" or "It feels good," and it's just really noisy. Especially when the actress is speaking, these sounds overlap with her lines and ruin the immersion. He lacks experience…

Kyoko plays a real estate agent, but there's this *terrible* real estate agent who steals the boyfriend of a couple looking for a property! She exudes sexiness when she's out of sight. A lucky turn of events where she starts banging him right there at the property! If someone like that actually existed, it would be so lucky!

I was completely seduced! (///ω///) The legs are *so* long in the opening! And then this gorgeous woman appears in a super mini-skirt! Oh! This is getting interesting. Immediately, the beautiful actress launches into a seduction attack! Kyoko is so good at portraying the situation of being seduced by a woman, with teary eyes and a cute voice. The sex scenes were great too. The shocking 〇〇〇 in the first hole, the 〇〇〇 in the car in the middle… and so on and so on. This work excels in its figure, the intensity of her gaze, the allure of her kisses, the lewdness of her hole, the attack of the 〇〇パイ, and the moans during sex. I recommend it even to those who aren't Kyoko fans. The 〇〇〇 is a surprise for you to discover. I'm so satisfied, I want to give it six stars.

A hidden trap between reality and desire… Beyond that door, the lewd real estate lady, Himeka Natsume, hunts her prey. This work is a highly complete sleeping-around piece that perfectly fuses the realism of “immorality on the extension of everyday life” with the runaway of two major eros, “large breasts × lewdness.” Desire and ruin are skillfully woven into a very ordinary situation like a property viewing, slowly dragging the viewer into the depths of immorality. The protagonist appears to be a refreshing and reliable real estate lady. However, her true identity is a lewd and calculating carnivore who enjoys “hunting” the men who appear before her as couples. And above all, her weapon is her overwhelmingly large breasts and her technique-filled lewd language assault and guidance play. Her strategy is extremely clever. She initially narrows the distance as a polite guide, and gradually erodes the man’s reason with body touches and erotic talk. In the brief moment when the couple’s girlfriend looks away, the "blade of lewd language" pierces, igniting a fire within the man and not letting him go. From there, it’s a furious sleeping-around development. The location is a room in the property—that is, the place where the two of them were supposed to “build a happy future”—and Himeka Natsume twists that future and paints it with pleasure. **The way she skillfully guides the man’s body and makes him desire to insert himself is just the best.** It’s no longer sexual domination, but conquest. She is a “pleasure ruler” before being a “real estate lady.” The realism of the acting and the skillful timing that stirs excitement are outstanding. Himeka Natsume’s overwhelming physical ability and acting skills, her expression immersed in eros, and the occasional S-like verbal abuse rob everyone who sees it of their reason. In the final insertion scene, immorality and excitement intersect at their peak, and you’ll feel like applauding with catharsis. This isn’t just a sleeping-around. It’s an intense erotic experience where **“the pleasure of taking” × “the thrill of immorality” × “the pressure of large breasts” become one.** It’s a masterpiece where you can enjoy the true essence of the actress Himeka Natsume. Review 2 The couple’s dream home is transformed into a stage of immorality by the lewd large-breasted Himeka Natsume. The boyfriend, targeted by her, cannot resist pleasure and heads straight for raw insertion and deep thrusting. A powerful body and skillful guidance break his reason – this is an immoral masterpiece.

A classic NTR story where a real estate agent seduces the boyfriend of a couple looking for a property. But seriously, that cover art is incredible, right? AV covers usually don't hide the triangle area, but… oh, oh, it's hidden. (laughs) She's showing off her figure with that frustrated office worker pose, and *still* hiding it. The more I look at the cover, the more excited I get, Kyoko! The boyfriend who came to look at the property seems so innocent, does that stir Kyoko's maternal instincts? He's also clearly resistant, having never even experienced sex, raw dogging, or deep throat with his girlfriend. Kyoko begins to practically *teach* him how to do raw, deep-throat sex, supposedly to deepen his intimacy with his girlfriend (or is it just an excuse?). Is the setup that he's so innocent he'll cum immediately with raw, deep-throat? There's also car sex (raw, deep-throat) involved, which creates a strangely stimulating sense of confinement. As he experiences raw, deep-throat sex with Kyoko at the property, he loses his fear of being caught by his girlfriend and his resistance fades. I find myself wanting Kyoko's gentle, instructional raw, deep-throat lessons. The boyfriend is completely captivated by Kyoko's erotic body. And then, they find a property (the first one they saw, presumably?) and after signing the contract, they have one last intimate encounter. Definitely after some raw, deep-throat. What did Kyoko say in response to the boyfriend's words? It's so touching. If it were me… I can't say anymore. (T_T)＼(^-^) I'm assuming the first property is the one they end up renting and treating this as a potential sequel. Kyoko is just *too* kind, a raw, deep-throat loving real estate agent. I imagine her as a blonde, wild party girl who became a social recluse in her younger days. By the way, watching this after the 'Frustrated Office Worker' might be extra stimulating? It's not quite the same, but a similar work. Both focus heavily on raw, deep-throat sex. I want to deep-throat. I don't want to deep-throat, and I don't want to *be* deep-throated. I think the push and pull between those desires is a highlight of both films.