
A 4-hour special edition featuring Miki Shinjo. From office rooftop encounters to intense bondage and toy play, this omnibus showcases the ultimate M-type OL's sexual awakening through POV and amateur-style camerawork.




















The scene where she's whipped while on all fours is the best. The way she lets out the tears she was holding back, or being forced to count the lashes... it's just something else. Watching her large, round buttocks turn bright red from her slender waist is unbearable. I've seen the whole series, and while Meguru Kosaka's flat whip scene was great, this girl is exceptional. Her genuine fear during the red candle play is also a nice touch.
*Bondage in OL-style clothes has a nice atmosphere, but In the final scene, bondage is performed over shiny sexy lingerie. It's the worst. The lingerie was caught under the rope and the feeling of the rope digging into her was not conveyed at all. Because the fabric wrinkles easily, I can't see the movement of my abdomen. In any case, the shiny color of the female body bound with hemp rope is nothing but noise. (The sexy lingerie in the previous work was made of lace, so I could still forgive it.) Also, this actress has a shaved pussy, but in this work she just shifted her shorts. I was raped while wearing shorts with holes, That characteristic has been completely destroyed. Please show me your shaved pubic mound.
Gentle eyes and a pouty lip. Her slightly upturned nose is a nice touch, so she could even pull off a loli look. She has that 'weak-willed, will-do-anything' vibe, so her visuals are quite good, but... for some reason, I just couldn't get into it. She reacts well enough when restrained and teased with toys, but the two sex scenes are so detached that I couldn't empathize. She does some SM play with whips and candles, but because there's such bland sex in between, it doesn't leave a 'hardcore' impression after watching. It's a shame because she's my type, but for a bondage and training story, it lacks emotional depth and intensity in her climaxes. Maybe it's because there are too many fixed wide-angle shots.