
Aya-chan, how have you been? It's been 10 years since you got married and left this town. Are you used to life in Tokyo? Are you happy now? The time capsule we buried in my garden when we were kids... I dug it up today, 30 years later, just like we promised. I'm sure you don't remember, but...
I highly recommend watching this alongside the sequel, 'Dearly, I'm married to my childhood friend and living a life of breeding and creampies in the summer countryside. The best life for the two of us.' This film is about welcoming back a childhood friend after 10 years, confessing feelings, and fulfilling the wishes trapped in a time capsule from 30 years ago—it's a story where Kamejiro takes the lead. The sequel is about their love-filled life after marriage, focusing more on the flood of affection Ayaka Muto pours onto Kamejiro. Ayaka Muto's simple yet 'divorced-woman' eroticism and her naturally beautiful figure really stand out. Despite the grainy image quality, I think it's a must-watch.
*I bought and watched this movie after reading a review that said it was a work that received attention on a late-night TV show. The two of them are in love from beginning to end, and the ending is happy.I like it because it ends with a happy ending and leaves a nice aftertaste after watching the movie! The scenery of the park at the end was also nice. I was moved to tears at the last scene.
*I haven't been able to see them all because she has so many productions, but this actress never fails, so I can enjoy them every time. Other than this person, I have never seen an actress with visible birth marks from a caesarean section.
Honestly, my personal take is that it's just too subdued, so it didn't really get me excited...
The cover art reminded me of Madonna's 'Three days back home, the woman I admired became a housewife' series, so I expected a bittersweet ending. I was pleasantly surprised—in a good way—and felt so warm inside after watching. I hope they keep this style going with different actresses to compete with Madonna. As for Ayaka Muto, the first thing I saw her in was a 'female boss' role where she looked too thin and strained, so I'd avoided her until now. This film completely changed my mind; I'm a fan now! (I ended up watching two more of her films right after). I really hope she does more roles like this.