
The story of Yayoi Mizuki being catalytically brainwashed and transforming completely from a lady into a pathetic figure repeatedly making an 'opium face'. Mizuki, a full-time housewife, is subjected to catalysis by the eerie mansion owner, Kōrin, while her husband is away. Mizuki desperately resists, but is powerless against a force beyond human knowledge, and her body and mind are destroyed and dominated. The end of the depraved state of a wife who continues to fall…. 1. Prologue. Yayoi Mizuki's domestic daily life. Soon, this peaceful life will collapse…. 2. Physical manipulation by catalysis → Mizuki, deprived of her physical freedom while her husband is away, reaches the height of shame in a series of forced acts against her will. 3. Repeated sensitivity increase and forced orgasm lead to the collapse of the self. Mizuki, corrupted by pleasure, becomes a female. 4. Mizuki, tormented by the 'impossible orgasm' of not being able to orgasm even when she wants to, has her desires accumulate inside her. 5. Mizuki, who has become a slave and is only brainwashed and manipulated both mentally and physically. She feels joy in thoroughly serving a man and makes an ecstatic expression. During the act, the catalyst is repeatedly released and 'as told' and 'activation of the self' are repeated, training her to become a real female. 6. Epilogue. Her husband returns home. At that time, full-time housewife Mizuki…




















It's the director's first work in this genre, and I think it's pretty good overall. But it feels a little lacking in some areas? As a fan, I feel like they focused too much on visual aspects like colored contacts and splayed legs, and not enough on the depth of the story itself... (Still, it's definitely watchable though!). For the next work, I'd like to see more emphasis on portraying 'internal guilt'. The core of this genre is the thrill of being plunged into hell from a state of happiness by a certain… tool. So, I think it's important to show how happy things were before, and how desperate they become after. Even if some scenes are impossible to film, it could be conveyed through dialogue. For example, having a character cheerfully say, "That gangbang with all the PTA dads was so much fun, wasn't it?^_^". That alone would add depth to the story. I think this genre ultimately depends on how well these kinds of scenes are executed. Conversely, if that's done well, you don't even need the splayed legs or colored contacts. I highly recommend checking out Aisuraku's guidance on this type of scene and incorporating it into future works!
Yayoi's acting was amazing, especially her switching between the 'ahe' face and suggestive expressions. However, the story felt a bit lacking. In the end, the husband came home and the wife was masturbating with a vibrator, but what exactly did the male protagonist even *want*? I think it would have been better if she'd left a divorce letter and a note, and she wasn't in the room, but in the manager's room, and then the husband came and hypnotized them both, treating them like toys. Also, the post-coital scene felt too short – I wish it was 15 minutes or the length of a full scene.
To put it bluntly, this was a terrible work. The creators seem to think sticking their tongue out and squinting is hypnosis. The changes in the woman before and after hypnosis are subtle, and the final payoff – the most important part of a hypnosis work – is completely lacking. There's absolutely no story about ruining your life and having to cut ties with your relationships, hometown, and workplace. What a waste of money… seriously lacking in skill.