
愛する妻を亡くしてからというもの孤独で虚しい毎日を送っていた中年男の児島は、ある日ゴミ置き場に妻そっくりなマネキン人形が捨てられているのを発見する。なんだかそのまま放っておくことができず家に持ち帰ると、妻と同じ「あかり」という名前を付けて愛でるようになった。物言わぬ人形とはいえ、妻の面影そっくりで不思議な存在感を放つ「あかり」に笑顔と元気を取り戻した児島は、次第に「あかり」に対する異常な性衝動を抑えきれなくなっていく…。一方そんな親友の姿を見た安村もまた、過去あかりに対して密かに抱いていた恋心が沸々と甦り始め…。




















Being able to have your way with a woman is a dream, isn't it? Seeing her get taken by a gross old man and being ravished to his heart's content is a turn-on. The only disappointment is that I wish he had done anal as well. The final bonus was also erotic.
Isn't this rare? A 3P in the Mannequin series? This work made me a fan of Hikari-chan. A gorgeous mannequin with a perfect look and body. And the fact that you can do whatever you want with her!? She's a bit on the curvier side lately, but this body type is the best lol.
*The role of Mrs. Mannequin this time is played by a professional, Hikaru Asagiri. To be frank, during the role of Mrs. Mannequin, she was a collection of perfect images and didn't change her facial expressions, making her look like a tuna fish with its eyes open, which was not good. However, the blooper collection was very interesting and had scenes that made me laugh. After all, NG scenes are essential for Mrs. Mannequin.
It's like 'Time Stop'—being able to strip Hikari-san naked and do whatever you want with her is just the best!! I'm so jealous of Toru Ozawa and Boki Sugiura... and in the last 3 minutes, Hikari-san...
※Recommended to view on PC due to line breaks. Previous entries in the series were about 'the protagonist finding a beautiful mannequin by chance,' but this time, it's about an ex-husband finding a mannequin that 'looks exactly like his dead wife.' I'm all for the dramatic approach of creating a special relationship between the protagonist and the mannequin, but this specific setup and direction didn't really get me excited. The reason is simple: 'there's no sense of taboo.' Having sex with a mannequin that looks like your dead wife is structurally no different from a couple having loving sex. Even more critically, I couldn't empathize with the protagonist. Since we barely see the wife when she was alive, the viewer can't grasp the 'excitement or thrill of finding a mannequin that looks just like her.' For example: - Finding a mannequin that looks like the wife of a boss you secretly admire! (The key is to insert a scene at the beginning visiting the boss's house to show the wife in action.) You could play footage of the wife's daily life that you secretly filmed while having sex with the mannequin. - Finding a mannequin that looks like your child's music teacher you secretly admire! (Insert a scene of dropping the child off at music class.) Play the teacher's recital video on YouTube while having sex with the mannequin. - Finding a mannequin that looks like a beautiful middle-aged politician you love! (Insert a scene of asking for a handshake during the campaign, or a scene of listening to a street speech while feeling satisfied, thinking 'we had so much fun last night.') Play the political broadcast on YouTube while having the mannequin wear the same outfit. If you visualize the relationship like this and make it taboo, the excitement would definitely increase! The twist from last time, where it turns out the mannequin was actually a real person forced to act like one, was also good! I was impressed by the casting of Sugiura Bokki, but based on the examples above, wouldn't it have been sexier to make him the protagonist and have the wife still be alive? If you set him up as a stalker with photos of his wife plastered all over his room, the sense of taboo would have been much stronger. Also, I couldn't really get into the 3P at the end lol. I think the direction of innovating the drama is correct, so please keep up the good work!