VENU-636 - Forbidden Desire: Getting Caught in the Act with My Mother-in-Law

I wanted to see Asahi Mizuno slowly falling into pleasure while suppressing her pent-up desires.

The age gap between Asahi and the daughter's husband didn't seem very large. During doggy style, she was made to say embarrassing things like 'look at my asshole while you fuck me.' By the end, Asahi is the one more actively craving the cock. The way she used her hips during the cowgirl position around the 68-minute mark was good. Her moans were also great.

My wife's mother is incredibly sexy, has a great figure, is beautiful, and has huge breasts—she's high-spec. It's no wonder things turned out the way they did. It's a romantic scenario where you get to act on your lust for your mother-in-law. The initial scenes involve lingerie, and the breasts during missionary were erotic and great. However, I think it would have been better if the first scene was nude and the last one kept the lingerie. In the nude scene, the missionary thrusting was too short and choppy, so the breasts didn't bounce, which was a huge shame. That said, the hip movement and breast jiggling during the cowgirl position were erotic and good. I just wish they had put a bit more effort into the missionary part. Well, if you had a mother-in-law like this, it's only natural to feel lust. I don't think cases like this happen much in reality, but it's nice that AV can express these kinds of dreams.

They cast a great actress only to make a terrible film. In the first scene, the camera angles make it impossible to tell if there's penetration, yet they slap a mosaic on it anyway, making it incredibly hard to watch. Why do you even need a mosaic if the actor isn't even close enough to be doing anything? Only the finish is shot in a clear angle. It feels like they just tacked on extra footage later. After that, it's just lazy masturbation scenes—you can tell they put zero effort into it. Then it's back to the incompetent male actor. There's nothing worth watching here. It's a flop, no better than an AV from 20 years ago. The director, the actor, and the cameraman are all incompetent.

The mosaic was light up to this point, but after that, we entered the dark ages of mosaics. The future of AV lies in lighter censorship.