VO-219 - The Ultimate Fantasy: Get Lucky with Porn Star Fuka Sakurai

What is often seen in AV documentaries is the will to show something. But it is also the will to hide it. It is the space found in 'negation,' a concept critic Shigehiko Hasumi used to discuss Ozu. In this work, as everyone knows, those who fail are removed. That is direction and composition. More importantly, the actual sex scenes are minimized, and one must wonder why there are white marks or red lines on the actress's wrists. I'll skip the details, but it's worth pondering what was intentionally left unseen. Prioritizing narrative by using only necessary direction and composition, and revealing the essence the director draws out. Perhaps, separate from the auteurism of cinema as a collective art, we can find a unique auteurism in AV.