![VRPRD-118 [VR] Downer simulated experience! Let's H until we die together. [#No Right to Refuse#Cyber●●s] Membre House pakipaki vaginal ejaculation "Kohaku"](https://cdn.submyav.com/cdn/covers/full/vrprd-118.webp)
Cast Info Pending
Self-harm and overdose while pakiri, showing a pale tongue with a 'beroon', and becoming dependent, saying 'let's die together', the sickly state of a dissociative menhera girl who absolutely won't leave, to my menhera-whore roommate, saying 'pakichattaaa' with a sickly face at an extremely close range, specialized for the face, 'if you don't ejaculate inside, I'll kill you' with a knife held to me, with no right to refuse, no human rights, no STD test, absolutely must have vaginal sex raw, my state of extreme mental breakdown and limit.














As expected from Suzutake-sensei!! I devoured the insane 68-minute runtime in one sitting. Amber and Yachang are seriously talented. I met them at an event and they seemed like such bright and intelligent women, so the contrast in this role was a shock! To pull off madness, you need to avoid any hesitation or shame, and she absolutely nailed it... It felt so real. She's an actress I'm really looking forward to seeing more from.
This yandere VR is something else. I've seen a few works by director Suzutake before, including ones similar to this, and they've all been intense, but this one felt the most real! The scene of her downing pills with energy drinks, her tongue turning blue from an overdose... even the self-harm scars on her arms and thighs – the attention to detail is incredible. Her emotional instability, her distorted perception, and Kohaku Yaya's acting were all phenomenal. She'd be laughing one minute, then suddenly fly into a rage, or burst into tears and try to self-harm. It's terrifying because you never know what's going to set her off. She also says nonsensical things, talks constantly even during sex, and has this way of making you genuinely think, "Are you okay? (No, you're not okay)." I think it's because of her instability, but she has an insane obsession with sex. She'll snap at you mid-sex, and it's totally understandable if you lose your erection, but the way she relentlessly craves pleasure and affection kept me completely turned on. I was blown away, honestly (laughs). The whole thing is filmed with a moving camera, but there aren't any intense movements, so I didn't experience any VR sickness. The image quality is pretty good for a moving camera too. That immersive feeling of actually being there is a hallmark of moving camera VR, but in this case, it wasn't so much about my own active movements as it was the speed and tension of Yaya coming at me, or pinning me down. I really felt that. Also, the face-focused fellatio (so close you wonder how she's even doing it) and the facial shot from the cowgirl position at the end were fantastic. After the main video, there's a bonus video where Yaya talks to the viewers after the shoot. Usually, you'd feel relieved seeing the actress's true self, but this time it was a little different... Definitely watch until the end to see for yourself.
*The world of madness is wonderful, but if it were my girlfriend, it might be a little scary!! I can understand why the director changed his name (lol) I think it's great that Yaya-san is putting her all into it.
Yanderes have a strong sex drive, are amazing at giving head, and are the best as casual partners, but if you actually date one, you both end up ruined. Maybe that's why this genre is the most suited for VR. You can experience corrupted sex, surrendering to desire and codependency, with Kohaku Yaya's incredible acting. It's filmed with a wearable camera, so the immersion is great, but the image quality is naturally bad. And I almost lost it because the jacket cover didn't have the 'ahe' face double peace sign I was expecting. Yaya-chan's recent makeover makes her look a little like Ashida Pro, which is a nice, decadent touch. I preferred her look back in the day, but her 'ahe' face is still adorable.
*I'm a fan of Kohaku and Sun. This is the second work from VR Paradise, and the picture on the package is extremely cute, and the director is my favorite Suzutake, so I went to see it with high expectations. The first thing that caught my eye was the overwhelming beauty of the images. I'm not good at VR works and don't watch them very often, so I can't make a simple comparison, but out of all the works I've seen recently, Kanji is the best because it shows the actress San so beautifully and realistically, including elements such as lighting and skin texture. And somewhat of San's acting. I have watched many of his performances, and I feel that his acting skills are steadily improving. In this work, Yayasan plays a rather eccentric woman. ●I was moved by the way she played the role of a woman whose emotions have been destroyed by the influence of things, with such a realistic performance. The dialogue was probably not based on the script, but was probably ad-libbed, and most of it was filmed without any cuts. The timing and gestures of taking food and cutting the wrists were so realistic that it was almost scary to watch. What kind of ecology is the behavioral pattern of menhera women? I don't know if this is the correct answer, but after watching this work, I realized that perhaps the correct answer is to be this type of person who is starved for love, lonely, and extremely dependent, and I think Yayasan is truly amazing at portraying this with his hairstyle, hair color, gestures, and acting skills. As for the intertwined scenes, perhaps it's a characteristic of VR works, there was a lot of cowgirl position, and as someone who loves San's butt, I felt it was a little unsatisfactory, but I was able to see a lot of facial expressions that I love, so I was satisfied with the outcome. Also, it's amazing how her squirting is getting better and better! In my previous works, I often felt like I was incontinent rather than blowing, but in this work, I felt like I had to put a lot of effort into blowing at the right time. (On the other hand, I am worried about the illnesses caused by it.) There is a short interview scene at the end of the main story, but I wonder if the comment "It's been a while since I filmed an AV of ◯◯" was cut out, but no matter how many times I watched it, I couldn't catch it, and I tried to imagine it from the movement of her lips, but unfortunately I couldn't understand it, so I'd like to ask her in person next time I meet her. Thank you for your loving and wonderful work! I would also like to see Kohaku Yasan's work with this team, so please plan and produce it! thank you very much!