WAVR-053 - 【VR】高画質凌●VR 「あの女を私と一緒にレ×プしませんか？」とクラスメイト女子にお願いされたボク！！ 女子の頼みは断れない！心おきなく真面目女をレ×プすると…犯●れていたのにまさかのドM開眼！？ラッキー3P VR！！

This work is about a girl who didn't get a recommendation threatening a classmate who did, in order to force her to withdraw. While it lacks realism, it is excellent as fiction. It makes the most of the two performers' acting, and the settings given to each function as typical tropes of fiction. Aoi is social and seems capable of anything, yet struggles with her studies. Mihina gets results through effort but is disliked for being plain and reserved. The subtle personalities and relationships of these girls, who usually interact with social pleasantries, are well-portrayed, and the acting is exquisite. Aoi's twisted inner personality, contrasting with her popular exterior, is shown without hesitation in her relationship with the 'master,' highlighting their intimacy and complicity. Mihina trusts Aoi without suspicion, but her innocent words, born from her reserved nature, irritate Aoi. It's essentially just Aoi's bullying and venting, but both the inner and outer sides of the characters bleed through. The progression from the threat to the goal, and the subsequent development, feels natural. The direction of hearing the conversation from outside the room when chasing Mihina is also excellent and rare in VR works. The acting, down to the lines, intonation, and gestures, is superb. It overcomes leaps in logic that would otherwise ruin the realism. While both are known for their acting, I can't think of any successors at the moment. Aoi Kurumi's devilish acting, where innocence and madness coexist, and Mihina's performance of breaking down while looking up with puppy-like, teary eyes, are not easily imitated. This work is where their acting truly blossomed. Some users mention legitimacy or guilt due to the subject matter, but there is no legitimacy in such themes; seeking it is just a form of user guilt or an alibi. While it may be polarizing due to the difficulty of fully depicting malice, it is undoubtedly a fine work of fiction and acting. I eagerly await the arrival of the next generation of performers to carry the industry.

The contrast between Aoi Kururugi's S-type character and Mihina's M-type character is excellent. I think it's a great work that really makes the most of each of their personas.

Watched the best-of version. As expected, no one does a 'bad girl' role quite like Kururugi-san. She's perfect. I hadn't bought any of Mihina-san's works before, but she's incredibly cute and talented—I'm hooked. Her performance in the final act, struggling against her own carnal desires, was breathtaking. I definitely need to check out her other works. This was a masterpiece that convinced me no other actresses could have played these roles better.

*She's so good that Aoi Kururugi's bad girl is even better. It's especially impressive when you catch someone trying to escape outside the room. And I don't remember her name, but the serious girl who gets attacked is also a great performer. It creates a wonderful drama. I wonder if this could have been done without Aoi Kururugi's play. Honestly, I would have liked it to go as far as the two of them fighting over each other.

*I think this is one solution to the problem of being depressed and visually ugly when your partner is a man. The female partner is portrayed as a very sadistic and evil woman, and there are scenes where she acts in a coercive manner toward the listener, but basically they have an equal relationship. The victim's character was a quiet, shaved, honor student, and the way they threatened her and trained her to rape her was the best part. Personally, what I thought was disappointing was that even though the rape was in progress, at the end, the victim was left alone and she started having sex with her partner.