
Cast Info Pending
ローションクィーン降臨!!大人気のローション100リットル風俗No.1キャストゆみか嬢を本指名SPECIAL!当店でしか味わえないローションプールでヨダレも潮も放尿だってオプションフル盛りで大満足!グッチャグチャのダッラダラがノンストップで射精が止まらない!!脳みそとカラダは液体まみれでフヤフヤだけどチ○ポはビンビン溺悶絶!ローション風俗に来て良かった!ゆみか嬢を指名して本当に最高に気持ち良かった!!!












A play full of juices and wetness! Slippery play always looks so good and is visually erotic too! I'd love to try having sex just once while covered head-to-toe in lotion, getting all messy!
Being covered in lotion is quite surreal and fits the VR format well. The visuals are clear, and Yumika Saeki is flawless and sexy. The long, close-up shots of her face from the front are beautiful, making it easy to just keep watching.
It was very good, but it feels like it 'powered up' in a disappointing direction compared to the previous work. Parts 1 and 2 have way too much lotion. I'm usually tolerant of saliva play mixed with lotion, but this was excessive. It's also a shame that the frequency of making her swallow saliva decreased. Also, in the previous work, I was the one licking various parts of the woman, but here it's the opposite, with many scenes of her licking the male actor's hands or feet, which lowered the immersion. Part 3, however, was great, with the kissing and saliva play during cowgirl position just like the previous work. Especially the scene where she's forced to climax while her mouth is covered by a kiss—that was the best!
It's amazing how she handles such a massive amount of lotion. She puts so much in her mouth that I was actually worried she might have trouble breathing with all that film coating her throat. She's beautiful, has a long tongue, is super erotic, and is covered in lotion—I'm very satisfied. 4.5 out of 5.
Yumika Saeki, who retired in 2023. This is likely her final solo VR work. Even for works that might generally be called 'unconventional,' when she stars in them, they just get labeled as 'a typical Yumika work' (lol). In this case, however, it feels like the actress and staff really put their heads together, thinking, 'Let's make something incredible that we've never done before,' and it resulted in a compelling piece that goes beyond just being 'a typical Yumika work.' It's been about two and a half years (as of January 2025), but the image quality is still plenty clear. The only thing that bothered me was the acrylic panel placed in front of the camera to protect it from splashes. Even if it was necessary, it's undeniable that it lowers the sense of realism. Nevertheless, overall, I think it's a great work that successfully brings out her unique charm.