XVSR-668 - 媚薬捜査官×緊縛ボディドール 咲野瑞希

*Mizuki has an air of eroticism from her cute yet approachable looks and toned body (moderately sized breasts, beautiful butt, and beautiful legs), and she has impeccable play skills that make it easy to attack and accept, as well as excellent acting skills. The rest is up to the director and co-stars. The plot of detective stories is almost the same regardless of the manufacturer. There are differences in the way they are punished and restrained, but there is no particular personal preference there. 1 link. The expression on her face as she resists and glares, and the way her butt tightens as she tries to escape despite feeling it, is full of things that stand out from the beginning. The movement of her body when she squirts is not too theatrical, it is natural but erotic enough. When a dirty cock is pressed against her, she says, ``I'll bite you!'', and when she's penetrated, she says, ``You're not good at it!'', and her realistic lines are perfect. The way the characters are created, the way the play gradually disintegrates, and the skill and eroticism with which they are combined with the play make my mouth roll every time (and of course, it leaves me speechless). Not limited to this C, Mizuki has a sensitive constitution that makes her squirt many times, but it's nice that she's not the screaming type. However, there is a strong sense of charm, and I like the seasoning and seasoning. I was very satisfied with my first C as I was able to fully demonstrate my ability. 2 connections. A more powerful aphrodisiac is poured into her and she is forced to play. The second half is toy torture. Although it ends with a large amount of squirting, I don't really feel the sense of deterioration in the production, and the connection from this to the next interaction is weak. Then, after the third connection, it suddenly changed to ``I want a dick.'' Since she's tied up, the technique of making her cum without any hands is an amazing feat. She cums and squirts again with fingering and insertion. She is truly beautiful, from her facial expressions to her body movements. The last part is a 3P that I don't know how good it is. The rustling sound of the leather sofa is annoying. The most disappointing thing is that the actor who appears as the final boss has no sense of the final boss at all. There's a lack of cooperation between the two actors, or one of them is just watching, or there are scenes where Mizuki is giving a hand job to one of the actors, and it's a loose torture that doesn't make you feel the meaning of the threesome. Mizuki squirts a lot and gives a passionate performance of being a victim, but the actors are not able to bring out Mizuki. The last boss actor's selling point is his intensity and toughness, but I couldn't see him play like that (he seemed a little fat, so maybe that's the reason?). Although there are some flaws in the direction and a slight sense of incompleteness in the performance and the final play, Mizuki's own orgasm and eroticism were the best.

*Clothing restraint itself is an erotic expression. Japanese clothes x hemp rope bondage has a hopelessly erotic feel where a person is tied up with a rope, an everyday item, while wearing an everyday kimono, and is thrown into an extraordinary situation. On the other hand, this combination of bondage and hemp rope just doesn't sit well with me. Even though bondage is already an extraordinary worldview, tying people up with rope, which is an everyday item, seems cheap. Bondage is erotic, and rope restraint is erotic, but they are compatible, just like pouring delicious miso soup on a delicious cake doesn't make it taste any better. I think a leather belt (red leather to make the black outfit stand out) or iron restraints would be better suited for bondage.

Mizuki Sakino plays an investigator who, as usual, gets captured by an evil organization, restrained, and subjected to sexual abuse. She has such a cute face and a fantastic, erotic body that looks great in that black enamel costume. Once she's drugged and stimulated, she squirts naturally. Between the bondage, oral-only service, and manual/sexual stimulation, she squirts repeatedly. She doesn't moan very loudly, but she's clearly feeling every bit of it. There's even a bondage 3P scene where she squirts multiple times. Her cuteness is so dominant that the 'haughty investigator' persona doesn't quite fit her.

The plot is almost identical to the previous Mami Nagase installment, but it feels like a completely different beast. Well, that's to be expected since the actresses have such different characters. In that sense, it feels like the production team's planning was lazy. The reason the previous one worked was because Mami had that unique charm of being erotic and cute even while resisting, all with a sweet voice. If you force the same thing on Mizuki Sakino, it’s inevitable that the resistance will feel too strong. Even her use of foul language feels awkward and out of place. Moreover, the way she 'falls' isn't as good as the last one. If you're using aphrodisiacs, no matter how much she resists, the sensitivity and the intensity of her orgasms should be explosive. In terms of that kind of acting, this actress still has a long way to go. In Chapter 3, there's a scene where she's tied up, but for some reason, she's already submissive, which feels jarring. There aren't many full-nude scenes either. Including the actress's acting, sex appeal, and direction, this work is overall much inferior to the previous one.

*I wanted to see the investigator fall in love with the pleasure of being tied up with a rope, but the aphrodisiac causes him to fall so quickly that I don't see any point in tying him up with a rope. I look forward to the next work in which the aphrodisiac is used in small amounts to make the body more sensitive, and the sexual technique of tying it with ropes makes it fall. The bondage body is seen in each scene: the fidgeting state of resisting without falling, the process of falling, and after falling. Not only the actresses, but also the actors' performances were excellent.