YMDD-129 - Business Trip Pleasure Quarters: Mio Kimijima's Salaryman Special

A rare gem where you get to see Mio's true self. The opening scene with the older guy was so erotic, I couldn't help but be jealous. I really hope they make more high-quality nympho-themed works like this.

Mio Kimijima wraps you up with a goddess-like tenderness and allure. As expected from a veteran, her technique is great, and she reacts so well even when she's passive—it's top-tier. She has a great body and a pretty face. I really want to see more of her work.

If you like Mio Kimijima, you have to buy this! I'm looking forward to watching her other works too!

Mio Kimijima is one of the actresses I've been keeping an eye on. I recall she was a former soapland girl, so I was shocked to hear she moved from soapland to the Tobita Shinchi red-light district—and a mobile one at that. The premise is interviewing salarymen at Akabane station, and some lucky ones get to receive her services (for free). I'm not sure what the criteria for selection were; there was a host-like guy, but also—no offense—some middle-aged salarymen like myself. Mio's service is equal regardless of who she's with, which is expected of a pro. If the service varied by customer, she'd be third-rate. In that regard, she's flawless. She seems a bit strong-willed, but she's beautiful, and her slim body with those perfectly shaped, ample breasts is something every man would want to experience. However, even for a sex worker, her inner feelings naturally shine through—specifically in her expressions. She looks different when she's with an older guy versus a handsome host-type. With the latter, she looks genuinely happy and tender, almost like a Bodhisattva. I don't recall any of my partners ever looking at me like that; they usually look away or close their eyes. I guess women do make that face when they're actually enjoying sex. This sounds like a complaint, but it's the truth. I wish I could make a partner look at me like that.

The chatter from the director or cameraman(?) that keeps popping up during the scenes is annoying.