
A lesbian love story between Mirai, a female novelist who specializes in writing lesbian romances, and Chiharu, who became an editor at a publishing house just to work with Mirai, whom she has admired for a long time. Chiharu supports Mirai, who carries a painful past and rarely speaks about it, with her natural brightness. A turning point arrives when Chiharu finds a photo of Mirai with another woman in her office.










I thought it was a 187-minute epic featuring Mirai Haruhara and Chiharu Miyazawa, but the main feature is only about two hours, with the rest consisting of interviews and unrelated lesbian scenes. I personally love Mirai Haruhara, so seeing her writhe under Chiharu's caresses was incredibly arousing. The sweat on their bare skin made the lesbian scenes feel so real and authentic.
Before watching this film, I read the director's comments on Twitter. He was raving about the actresses' incredible performances. He compared Mirai Sunohara to some of his favorite lesbian AV actresses. Having watched the film, I completely agree. It's an emotionally intense, deeply authentic, and passionate film.
*I bought it for Chiharu Miyazawa. Immediately after leaving school, I joined an editorial company... The setting is very natural. I admired my teacher. . . Her seriousness is very vivid in this story. It's casting. However, the lesbian scene is too hard. I backed off a little. After finishing I was sweating. The first time, the teacher forced me to do it, so I can't help it, but Chiharu Miyazawa is a lesbian. I would like it to be a little warmer and softer.
*I made reservations over and over again as soon as the rental ban was lifted, but since it seems to be so popular, it's hard to get a reservation. I couldn't resist and bought it on the marketplace. The result was very correct. The depiction is so natural that I think real lesbians would not feel uncomfortable watching it. The story is set in such a way that the older Mirai Sunohara gently instructs a younger child (whose name is unknown), and the story carefully depicts Sunohara's older-sister behavior and the younger child's bewildered surrender to the love of her ``teacher.'' For the first time in a while, I came across a piece that made me feel glad I bought it.
It's a good lesbian drama, and the lesbian scenes were excellent. I can see why Chiharu Miyazawa was so moved. It's a shame that Mirai Haruhara's face is far from her prime and looks inferior to Chiharu Miyazawa's, making it hard to look at her directly.