
When a hotelier husband accidentally tosses out a guest's precious cherry blossom sapling—intended for his late mother's grave—the situation spirals out of control. Now, Eri has to find a way to make it up to the guest, leading to a series of compromising encounters.












If you understand the context, the script is actually quite brilliant and holds up even six years after its release. The man who violates the married woman is a Japanese-Brazilian who looks Japanese but acts like a foreigner—a thief targeting Japan. The husband, a hotelier working for a foreign-owned firm, accepts his wife being taken, saying, 'Foreign tourists are important now' and 'Their values are different, so it can't be helped.' His groveling attitude toward foreigners, as if 'the customer is god,' is pathetic but also eerily prophetic of Japan's later over-reliance on inbound tourism. The script, where a wife in the tourism industry offers excessive 'hospitality'—even allowing internal ejaculation—only to be attacked by a foreign thief, serves as a great satire of society and deserves a re-evaluation. Kawakami Yu's acting and performance were excellent; it's a waste to skip this just because of reviews that didn't grasp the script.
A 2014 release. It features the same cast as 2013's 'Ravished in Front of My Husband,' and while I praised Yu-sama's performance in that one, this work is on a completely different level!!! If her performance in the other was an 80, this one is at 120% energy capacity, wave-motion gun ready to fire!!! Beyond Yu-sama, the camerawork and music are excellent (the music changes after she falls, and it fits perfectly!). I was simply mesmerized by her beauty; I have no choice but to give a standing ovation!!! (The scene in the yukata was also cute and great.) However, the reason I gave it 4 stars is, as other reviews have noted, the nonsensical handling of the customer complaint—it's just unrealistic!! It's such a shame. Since this is a key point of the plot, they should have written it properly. If this had been cleared up, it might have made it into my 'Top 10 Yu-chan' list.
Kawakami's performance was brilliant, which makes me wish even more that the male lead wasn't Hosaka. I mean, who could feel threatened by that voice?
*"Very poor" rating for Yu Kawakami's work The reason lies in the casting mistake of the actor. As I reviewed in Rina Ishihara's work, Yuu Kawakami's expression is lewd, but the actor is an "iron mask" It's like a robot sex machine. Yu Kawakami falls into a situation where the actor is completely lacking in ability. This does not qualify as an adult video. How long will the Attackers continue to use this actor (Hosaka)? The question remains whether the finished work is not inspected. Lately, there has been a noticeable avalanche of actresses and actors into the role of ``Madonna.'' If the Attackers do not take some countermeasures, they will become a maker of decline. I'm worried about falling.
The story is almost identical to 'Forgive Me.' I don't think the shower scene needed to be the same, too. Yu Kawakami's acting is outstanding as always. She perfectly captures the sorrow of being violated while resisting for 'your sake,' yet her expression shows she's already feeling it from the first time. From the second time on, she resists but can't fully refuse, gradually starting to crave it. Her body movements match her expressions, becoming increasingly lewd and writhing. Man, what a sexy body. This work is all about Yu Kawakami.