ADN-127 - I hooked up with my phone counselor... The lonely housewife's dangerous late-night call

*This is my favorite of this actress's works. She has put on a lot more flesh than before, but her face is still as beautiful as ever. However, I was concerned that the panting sounds were quite artificial, but since this was a forced setting, it didn't bother me that much. I really liked the feeling of the neat-looking wife in a suit falling into a relationship despite her reluctance.

*After watching it, I felt that it depicted the characteristics of Japanese women, their public appearance and true intentions, and their female instincts. After the first rape, Natsumi (Meguri) is still in shock when she returns home, but she remembers the time she had with Takizawa (actor) in bed alone, and from the look on her face as she turns over, she seems satisfied as she remembers the joy of a woman having sex for the first time in a while. A few days later, at the office, Natsumi appears to be in a state of mindlessness, and a conversation with her senior reveals that the cause of this is Takizawa. Even though she wants to have contact with Takizawa, it seems that Takizawa hasn't contacted her for a while. Natsumi feels like her senior has guessed her mind and tries to erase it, but Takizawa breaks in and uses the toilet to give her a blowjob. In this toilet scene, Natsumi looks like an actress with a cumshot. After that, Natsumi is fucked by Takizawa who invades the changing room. It's also interesting that the changing room is used as an acting room. Takizawa followed her to her home, and later entered the house and attacked her for the second time. Even though he refuses verbally, when he asks for his lips, he voluntarily intertwines his tongue with her, which seems both instinctive and genuine. When I saw Karami, I thought she was a mature woman, as you can tell from her proportions. How to react, how to writhe, how to resist. And even though he refuses to show it, he seems to be accepting it. Sex with a difference, different from the job content or the image and atmosphere you feel when you are in front of your husband. And Karami's second attack on Takizawa seems to draw out the woman's instincts and destroy her rationality. In the shower scene, Natsumi's face looks like a wide a**. It might be good for people who like it. And the last one, Karami, is mostly A○su.She may look like a younger sister because she is just a sister, but it's only for a moment, so I recommend watching carefully. The camera also captures many of her expressions. Judging from her clothes before the final karami, Natsumi is seen on a day off. Judging from her clothes, she has other scenes where she sees her husband off, but when she is at work, she sees him off in her work attire. However, when the final karami begins, she refuses to show her husband, telling lies that she is waiting for someone to talk to her, but she doesn't really mean it. The karami has the atmosphere of a daytime soap opera, where a mature woman is indulging in an affair with a young man. The first scene is at night, but everything after that is daytime. It can be said that the script is well done. Although I didn't write about my husband, he does appear in the main story, so don't worry.In addition, please note that this review is a re-edited review. That's all.

*The story, actress' acting, and camera work are all close to perfect. Especially when it comes to acting, it goes without saying that the drama is especially outstanding. When involved, she reacts sensitively and politely to the man's caress, so I was captivated before I could fast-forward. It can be said that she is an actress who is skilled at expressing herself. Personally, I like the moaning sound, although tastes seem to be divided. As for the story, the gradual decline is depicted in a nice and natural way.

*A female telephone counselor sympathizes with a man who is depressed after getting divorced, and the man clings to her for help. A woman who desperately tries to maintain her position as a counselor even when her body is being sought after by her partner. She is a woman who tries to be rational, but she is very good at expressing how she gradually feels the rush of pleasure. The acting that shows him feeling the same while refusing is excellent. Words that criticize men, such as "You can't" and "You can't do it," turn into words directed at yourself, who feel the same way. While there are many works that quickly lead to a fall, it is rare to find a work that allows us to fully enjoy the conflict between reason and sexual desire. It's also good that the man doesn't get too intrusive and keeps blaming him quietly. The viewer can concentrate on the woman's psychology without the man becoming a device that continues to provide pleasure and getting in the way. The way the words used in the story are used is also wonderful. The word ``amazing'' only leaks out once, the mysterious ``sorry'' you mutter after you cum, and the quiet scream of reason that says ``I'm going crazy.'' The sex that continues to be redeemed by sexual desire and the loss of reason will unfold behind the door in the final scene. It would be difficult to end the performance there. In other words, it is a work that shows that it doesn't matter what happens after you fall, but that there is eroticism in the process that led you to that point. The script, direction, and acting are all excellent. I recommend it.

*Personally, I wanted to see her breasts sway, so I wanted her to take off her bra from the beginning.