JUR-769 - Breaking the Office Plain Jane: Turning the Shy Accountant into My Personal Sex Slave

This is the 6th installment where she becomes the mistress of a young colleague, playing a plain married office worker. Kawakami, interested in the plain accounting clerk Meguri, invites her out for drinks—the same setup as the first film. He drags the shy Meguri, who blushes at lewd jokes, to a love hotel. Since she's been in a sexless marriage for a long time, she hesitates but feels intense pleasure when he demands her, writhing and climaxing upon penetration. Kawakami initially intended to blackmail her into being a sex friend by showing her videos of their encounters, but he ends up training her masochistic side. Finger-fucking in the bathroom leads to massive squirting! He makes her writhe during work with a vibrator inserted! During lunch, he makes her perform fellatio and anal licking, ejaculating in her mouth! Meguri starts dressing up to suit his tastes, but when he's too busy to pay attention, she wears sexy lingerie with a vibrator inside to show him. During overtime in the office, he penetrates her from behind and ejaculates; she then performs 'cleaning' fellatio and immediately demands penetration for an internal ejaculation! They have intense sex at a hotel, with her squirting like a masochist. At the bar, he says, 'I can't tell how big your breasts are through your clothes!'—but isn't it obvious they're huge? The finale, where he pulls out after intense doggystyle sex, resulting in a massive squirt and a lewd 'pfft' sound of a vaginal fart, is the best. Meguri's beautiful face and stunning figure are flawless! Her acting is excellent, and she can play various roles, so I expect to see her in many more dramas. I'd love to see her in long series like 'Your Wife Was Great' (where she gets NTR'd by a new employee), 'President's Office Internal Ejaculation,' or 'After the Graduation Ceremony.' A plain, sexless mature woman being trained by a young man to become a mistress and squirt—the transformation from a plain, bespectacled housewife is consistent with the series, and while the dialogue and flow are identical, the cinematography is skillful with many close-ups of the point of penetration. Currently, they are using exclusive actresses over 35. If they continue with actresses like Aoi Ichino, Rei Kimura, Koyuki Narumi, or in their 40s, Maki Hojo, Kana Mito, or Ryo Ayumi, I believe this will become Director U-Yoshi's masterpiece for Madonna. I have high expectations.