
Fuji is a simple employee who does accounting at his workplace. It's a convenient presence in the department as someone who is isolated and can easily get involved. I was just trying to take a breather after a stressful day at work, but... When she takes off her clothes, she has beautiful skin and is slender, and she has great sensitivity, probably because it's been a long time since she's had sex! ! She squirts and climaxes so many times that I feel like I've become a good man. ``It would be a shame to end it with a plain married woman sex friend'' and decided to make it to my liking...










The 5th installment of the series features Kanna Fuji as a plain office lady who becomes a young colleague's mistress. Just like the first film, it starts with Kitami, who is interested in the plain accountant Kanna, inviting her out for drinks. Kanna, shy and embarrassed by the dirty talk and physical touch, is taken to a love hotel. Due to a long-term sexless marriage, she hesitates but eventually gives in to Kitami's demands, moaning and climaxing repeatedly as she is filled. Kitami initially intended to use a video of their sex to blackmail her into being a sex friend, but he ends up training her masochistic side. Kanna starts dressing up to suit his tastes, craving the intimacy. Kanna Fuji is one of Madonna's top stars, playing various roles in almost every drama. I'd love to see her in the new 'Shameful Breeding' series, working as an aesthetician, or as an insurance agent in 'Her Mother with Too Much Libido,' or perhaps drowning in sex while staying at her aunt's house in 'I Ran Away to My Aunt's.' While the premise of a plain, sexless beauty being trained by a young man to become a mistress and squirting is the same as the first film, the cinematography is excellent with plenty of close-ups of the action. The male actors change every time, and since they are currently using established actresses over 35, I look forward to seeing this become U-kichi's signature Madonna series with actresses like Aoi Ichino, Meguri, Rei Kimura, or in their 40s, Kana Mito, Ryo Ayumi, and Akari Nanba.