ADN-574 - My father-in-law kissing and licking me, Sano Yuma

I buy cheating/being cheated on content. While there's a good variety of actresses, from young to mature, the male actors are past their prime and their appeal has become stagnant. There are just too many works tailored to them, and I'm getting bored. Verotchuu Ozawa, Ero Kaijin Tabuchi, etc.

Yuma's a stunning actress – tall, slender, and with a great figure. This scene of her being thoroughly devoured by Tabuchi was intense. I really appreciated how they didn't shy away from showing *that* part. Definitely a must-have.

There are just *so* many scenes with older actors forced into roles like father-in-law, older boss, or caregiver. Even with my favorite actresses, I'm starting to skip buying them. Veteran actors who try too hard just ruin the flow. They kill the mood and the practicality of the scene. Honestly, I find myself more focused on the actress when the male actor is younger and less…present. I guess there aren't enough reliable young actors coming up.

It's been a while since I've seen a scene where someone is thoroughly licked from head to toe. The initial interaction was phenomenal. You don't see that level of dedication to licking very often. I was especially happy to see it with Yuma Sano. The second scene was a little underwhelming compared to the first, but overall, it's definitely a pass. I heard she's becoming an exclusive actress, so hopefully, we'll get to see a lot more of her work!

The change in actors from the previous installment, featuring Shiroimine Miu, is a huge improvement. It's no longer just relying on Ozawa's constant, mass-produced 'throat-fucks'. The shift in the dynamic where she's paid for each encounter also makes it feel more like a sugar daddy situation, which is a nice touch. Though, the lack of depth in her relationship with her husband – even including lines like 'Why can't we have kids?' – is still a bit of a letdown. It could've been more impactful to show things like a sexless marriage or the financial strain preventing them from having children without protection. While the script and direction remain largely the same, the power dynamic feels much more balanced compared to the Miu arc where she seemed to easily succumb to Ozawa's pressure. Thanks to Yuma Sano's performance and the less aggressive Tabuchi-kun, it's clearer that sex is the main motivation, fueled by the excuse of money. It's a significant improvement over the previous reliance on Ozawa's signature move. The sex scene in the latter half, with the deep penetration and her refusing to let go, wrapping her legs around him, and that intense hold – it's really something. The lack of the husband's presence weakens the impact of the wife and father's betrayal, making the forbidden aspect feel a little underwhelming. But overall, it's a quality that makes me hopeful for a continuation of the series.