
Six months ago, my drunken father-in-law suddenly kissed me. He might not remember, but I couldn't forget that kiss. And today, I'm visiting my in-laws for the first time in six months and staying at my father-in-law's house. My husband left me and went out this morning. I'm alone with my father-in-law. Feeling awkward, my father-in-law suddenly spoke. "I want to kiss you..." My father-in-law's hot, wet kiss invaded my body again.










Finally, Tabuchi has appeared! Another young wife! Unacceptable! I hope the wife isn't wearing provocative clothing either! Chestnut-colored long hair, a round face. A beautiful body with white skin and an untainted transparency, youth is truly wonderful. Voluptuous breasts with pink nipples. However, the panties are too revealing, which is unacceptable! He says 'Let's go, let's go,' but I doubt it's genuine. I don't see any changes like blushing on her body or face. Well, some people are like that, I guess. And as expected, the allure of money? That Tabuchi guy is wagging his tail. Now, how long can Tabuchi last?
Her beautiful white nudity, face, and skin texture! The erotic feeling when she performs fellatio… The interaction with Tabuchi and the normal breast jiggle were good! However, she falls too quickly! There are no foreshadowings like her relationship with her husband being insufficient, or wanting a child soon… She doesn't seem to have much desire for money either… It's just a work where the father-in-law is obsessed with a young body… Since the ending is a complete fall and the interaction includes penetration, it would have been a 3-star rating if it had been a thorough oral sex scene~
*When her husband returns home, he finds Saki Yoshida's (Ria Yuzuki) father-in-law (Masahiro Tabuchi) at his parents' house. My father-in-law can't forget kissing Saki before. She asked Saki to kiss her again and showed her the money, saying, ``You need the money!'' Saki kisses Saki, but Saki resists saying, ``That kind of thing should be done in a place like that.'' The two have sex as if they were licking Saki's body. Saki and her father-in-law have sex all day and night while her husband is away! Put the money in Saki's hand and the two have sex After that, Saki returns home with her husband, but her father-in-law says, ``I've been waiting for you!'' A month later, Saki returns to her father-in-law alone. Saki and her father-in-law have sex in the bath and bedroom! Saki's transparent body is dazzling Saki (Ria Yuzuki), who even has a cute moaning voice, looks cool at first glance, but she's actually erotic! When Saki goes home, a voice in her heart tells her that she didn't come here for the money. This is a good work that depicts the delicate relationship between Saki and her father-in-law.
*She has a very beautiful body and shows a very intense sex. The way it was presented was improved, and the camera angle was also good. The interaction with Tabuchi, who is a super veteran actor, allows for a more intense play, and I think it's a worthwhile work that takes advantage of Ria Yuzuki's charm.
In this series, when the actor is Ozawa, there are too many similar products as veloxis-style content, so Tabuchi-kun is still better. The depiction of married life with her husband hasn't changed at all, and the wife's betrayal still doesn't resonate, but the script and direction have been slightly improved, and it doesn't end up as a simple copy-paste, which is a good impression. In particular, the change in the first interaction, where she ends up being fully penetrated even though it was supposed to be just veloxis in exchange for money, unified the interaction in the form of being penetrated if she receives money, which is easy to understand and highly appreciated. With the first half as a premise, the reversed structure of receiving money to be penetrated in the latter half is also easier to understand. As the main scene increased, the part that looks like simulated rape also increased, but that's unavoidable. On the other hand, the wife's aggressiveness in the latter half isn't as much as in the Yuma Sano episode, and yet the begging for penetration or the stimulation of guilt is quite lukewarm. Including the imbalance that doesn't go in the direction of pregnancy despite the line about why they don't have children, I think there's still room for improvement. Ria Ketsuki often has a sharp image, so the orthodox and diligent housewife role in this work feels fresh and shows a range of acting. I wanted to see a more aggressive interaction, and the penetration acting was too plain, and I wanted a little more climax of insemination, but at least I could see something more than a copy, so it's a work worth 4 stars.