ATID-245 - Falling into tentacles: The corrupted housewife

*But as usual, the composition is all about the close angle of view...the movement and story development are monotonous... I'm sure if they spent more money they could make the tentacles move more freely, but... well, it can't be helped that they can't afford to spend the same amount of money as Hollywood.

*I'm a monthly video member, so I check for updates and watch as often as I like. I look at different brands every day, but none of the manufacturers look very different. The reason for this is probably that the users who pay the money don't want to change, but when an actress appears, the only thing that changes is the number of actors, and in the end they ejaculate from the missionary position. If you want to get a lot of people to spend money, make it more standard. More normal play. It becomes. I want to see something different once in a while, not the idiots who watch porn every day. Under such circumstances, this was really good, and although I like glamor actresses, I thought it was a masterpiece that I was impressed with and didn't make fun of this genre. I think it's classic material for anime and manga, but I'm serious about making it. It's also good that there is no interaction with the actor. If this kind of work ends up starting a normal relationship with the actor, it'll be a wake-up call. The camera work and composition are also good. In any case, Mako Oda's convincing body and presence of Mako Oda's BODY overwhelms the fake tentacles, it's sublimated. The compatibility between Mako Oda and Tentacle is ◎. If there is a next one, I want to see it again, I want to see another one. It would have to be an actress who can live up to the fantasy of tentacles. If you want to watch normal AV, just watch normal AV.

*It's not very good until the middle. There are many images that tend to disguise the poor shooting technique, and there are few images that capture the actress's facial expressions and movements. There are many visual images of people being raped in various places in the house. I thought this was a mistake, but the last karami was good. While watching my family, including my husband and his stepchildren, being killed by tentacles right in front of my eyes, The lewd devilishness of a married woman who chooses the pleasure of being raped by her profession rather than mourning her death rather than helping her. True value that is rarely seen in the recent Attackers who have been in lukewarm water. I think Misaki Honda's work was better in terms of cinematography, but in terms of the script, it was like this. If a direction can be presented, there is a possibility that the two will merge and become even better. Looking forward to the future, I'm a little optimistic about the stars.

*I don't really care about Mako Oda's chubby body. I was able to admire her big breasts. The back attack is not bad, which is rare for tentacles... At the end, she is in the cowgirl position, and it is messy and feels good.

*Skillfully undressing, teasing. ``Aren't you a human?'' I prodded him several times. It was 〇 that after making us understand ``I fell'' with the married woman's key point of ``putting my hands on the table and doing it from behind'', I showed multiple entanglements at a good tempo. However, after changing the cut, I want it to be sharper, like it's already penetrated. The actress's movements and acting are able to express the feeling of insertion. However, it's a little strange to see the most unnatural movement of the tentacles (only the tentacles move). A tuna actress and a stationary tentacle are the problems of this genre, but this time the actress is finally starting to move. The tentacles don't move enough. Please recruit volunteers. The modest progression towards the end is good, but I would like it to be a little more explosive at the end, including the attack on the breasts, mouth, etc. When the actress moves, her tentacles also move! It's about time for you to make a two-disc tentacle epic with a lot of drama and connections, please.