ATID-661 - Large-breasted office worker Azusa Hikari, whose nipples were developed daily due to the application of aphrodisiac oil on a crowded train.

Basically, the scene of just applying love potion to the nipples continues endlessly and feels monotonous. There's an attempt to add some accent with a groper appearing at work and a near-miss play, or exposure play on the train, but it's not enough to be a selling point of the work. Looking at the opening and ending, it could have been made into a battle of status between female gropees, but there's no such feeling and the drama is quite bland. If we consider the setting where an OL who wasn't targeted by men when hiding her large breasts with a sarashi, gets assaulted when wearing a normal bra, it would have been good if the OL's self-promotion and the groper's play escalated with a synergistic effect, but that's not the case either. Despite preparing a lot of extras, they aren't particularly involved in the play, and there's only one conversational partner, it doesn't feel like a work by director Kitorune Kawaguchi, lacking in ideas. It's mediocre as both a male protagonist-focused work and a love potion-focused work, and I don't even feel like looking forward to future installments. It was a disappointing work.

Sato Sho (Azusa Hikari) gets groped on a crowded train. A love potion oil is applied to her large breasts, stimulating her nipples! It's a sticky play with the groper, Tuji Hayato! This is also a work dedicated to white G-cup large breasts. Tuji Hayato relentlessly attacks the red and black nipples, driving her wild. Azusa Hikari's no-hand fellatio! This is insanely exciting! She gets her nipples teased on the train in front of other male passengers! This scene is a guaranteed MAX excitement! Finally, a full nude sex scene with Azusa Hikari and Tuji Hayato! And again, she's subjected to nipple teasing by Tuji Hayato on a crowded train. It's a masterpiece where Azusa Hikari's gaze is captivating. This is a must-have. Seriously good stuff.