
With his father away on business, Kenta relentlessly pursues his mother, Reika. Her resistance crumbles under the weight of loneliness and Kenta's insatiable desire. They cross the line into a forbidden affair, even engaging in intercourse while she's on the phone with her husband. When she gets pregnant, Kenta vows to protect them both, fully embracing their taboo relationship.










*She has big breasts, similar to Ryo Aiyu's type, so her eroticism is irresistible. I really hope they release more VR works in the future. I would like to see a VR work like this work by Belo Chutapuri.
*It is quite innovative that the product description clearly states that the product is pregnant. Considering the title ``Mother and Child Making'', it wouldn't be surprising if this was the default title. It's a classic script in which the mother becomes aware of herself as a woman due to a friend's words, but the father's business trip is set to last three months, perhaps with the assumption that she will become pregnant. The series is unsatisfactory in that there is no change in the story, including the mother's revealing clothes from the beginning, and her son becoming aware that he is a man and becoming irrational over the course of a month, but the production in which the mother suddenly becomes more exposed after a month, out of frustration at not being able to have sex with her husband, and suddenly invites the son is new. Although she felt that she had to be strong as a mother, she gave in to her sexual desire and allowed her body to be used to the dicks that were close to her, making arrangements for her body's desires to take precedence over her mind's. However, in this case, I wanted the production to make the son's body conscious of being a man as a prelude. In the first real performance, both the actress and the actor are good at playing sex with an extremely compatible body that suddenly convulses when my son's dick enters deep inside her. The fact that the mother wraps her legs around her son's waist is shown in cuts rather than as an actress's performance is quite unsatisfactory in Rokuzaburo Mishima's work, but the production itself, which emphasizes the hold creampie where the mother wants the son's sperm deep inside her, is easy to understand when you look back from the pregnancy punchline, and it feels good. The production shows her changing her mindset as a ``woman'' after being creampied by her son, and when her underwear becomes flashy, the change of heart finally comes close to the direction the series wants to take. The scenes are detailed and detailed, such as when she is dissatisfied with the fact that she wants to have sex with her son and brings a friend over to her house, and when the son forces his friend to say, ``There's no way I'm excited about being a mother,'' which shows her loneliness. In the ending, the pregnancy is seen as an accident and the mother's anxiety and guilt are emphasized, the son seduces the mother into breaking up with the father, and the son takes off his wedding ring, giving the film a sense of incestuous immorality. It was also good to see her face change from that of a ``mother'' to that of a ``woman'' when her son kisses her, and at the end she had a euphoric smile. I think people are divided on the omissions such as the father not wearing a wedding ring, and the change in the framework of the rules by extending ``one month later'' to 3 months, but there are no creepy plays like the son cunnilingus in the sperm-filled pussy after he cums inside, and the karami is also worth watching, so I think it's a well-made work overall.
*Mother-child incest is meaningless unless you can feel that the people involved (especially the mother) are determined to commit an immoral act that is close to destruction because they are unable to escape from their lust even though they are violating taboos. I can't believe that the director has a fundamental understanding of this genre, even though this kind of thing just looks like a couple having sex with each other, and it's an act that violates the greatest taboo. This genre is meaningless unless you can feel that he is prepared to take his secret to the grave and risk his life along with his son if something were to happen, since he is doing something that is insane in a sense and cannot be shown to the world. The script is important, but the acting skills of the actress and actor are also important, and detailed depictions such as a woman suffering from anxiety or not getting her period will also get high points. In particular, the actress desperately protects the line that should not be crossed between mother and child, but is shaken by her feelings as a woman, and the psychological portrayal of the fortress that should be protected crumbling as she violates the taboo between mother and son makes viewers more deeply empathetic. It would be better to read up on better quality erotic novels about mother-child incest, or movies with incest themes from overseas.With such shallow content, it's hard to believe that mother-child incest is happening.